AudioLove

El primer sample pack oficial de COPPADOS creado por Nacho Scoppa para productores que buscan una base sonora exclusiva que acompaña y potencia el proceso creativo.

One product, built without compromise. Analog Realism keeps a deliberately small catalogue. Each release is engineered to be useful for years, not seasons. Today: Sphinx 101.

Step back into the golden era of hip-hop, Rand;B, and pop with "The 2000's", a meticulously crafted sample pack that captures the essence of early 2000s production magic. Packed with nostalgic songstarters, creative drum loops, soulful melodic elements, and versatile one-shots, this collection gives you everything you need to recreate that iconic sound or flip it into something completely fresh. Each songstarter comes with its own matching drum loop, making it effortless to build out your tracks. 

THIS KIT CONTAINS: 10 ARPS - 5 BASS - 7 KEYS - 32 LEADS - 6 SCRUBS - 9 SEQUENCES - 31 SYNTHS - 100 PRESETS TOTAL ALL DESIGNED BY DYNOX + 16YRSOLD

MainStage lets you take your Mac to the stage with a full-screen interface optimized for live performance, flexible hardware control, and a massive collection of plug-ins and sounds that are fully compatible with Logic Pro.

A violin made to move. Human-performed, tempo-synced loops. Plus dozens of short sounds and flourishes. A truly versatile violin designed for motion. 160 rhythmical performances. Zero hours of programming.

The Future of Jungle Starts Here.

JUNGLISM is a forward-thinking preset pack for Serum 2, designed by STRANJAH to supercharge both classic and modern Jungle & DnB production.

⟶ 252 Drum One-Shots ⟶ 176 Drum MIDIs

The sections are all there — intro, verse, chorus, breakdown, and outro. Each one sounds good on its own. But when you play the whole thing top to bottom, it feels like a playlist, not a song. The sections don't connect. You hit the seam between two parts and the energy just... drops on the floor.

Serum 2 2000's Bloghouse revives the loud, sweaty, distortion-heavy sound of the late-2000s indie dance underground. Inspired by Justice, Simian Mobile Disco, LCD Soundsystem, and the golden era of ripped MP3 remixes and warehouse parties, this collection is packed with abrasive basslines, fuzzy synth stabs, retro arpeggios, and electro-punk textures.

Want to pass ABRSM Grade 5 Music Theory? You're in the right place. This complete course walks you through every section of the exam — clearly, section by section — so you actually understand what you're doing, not just memorise it.

The "Acoustic Drum Tools" is a factory expansion pack provided by Akai Professional. It equips your MPC Series and Akai Force hardware with a massive collection of multi-sampled acoustic drums, ready-to-play snapshot kits, and realistic MIDI groove libraries suitable for multiple genres.

Welcome to the Music Producer’s Guide to Apple Logic Pro! Apple’s amazing Digital Audio Workstation (DAW) has now become one of the most widely-used applications for music production in the world. This mainstay of Mac music making is the centre of a compositional universe that includes the more beginner-orientated Garageband and the all-new Logic Pro for the iPad, and we are celebrating this Logic wonderland with a special bookazine dedicated to the software at its core!

Get more out of your workflow with 7+ hours of videos. Learn how to build templates, blend sample libraries, write a cue and mix it. In this course, you'll learn how to create two pro-level templates in your DAW: one for composition and one for mixing. We'll cover a wide variety of topics including routing, articulation switching mechanisms, layering string libraries from different vendors, and everything in between.

We have an exclusive interview with Green to mark the reissue of Scritti Politti's 'Songs To Remember' (1982) and 'Cupid & Psyche 85' (1985), two brilliant albums that took the band from scratchy post-punk outsiders to electropop giants. The second of these releases gave them no less than four hit singles and led to encounters with luminaries such as Kraftwerk, Miles Davis and Nile Rodgers. It was certainly a totally different world to the scuzzy squats where Green had started his music career. “I was like a non-league player suddenly thrown straight into a Premiership side,” he says. "It was completely exhilarating, but also excruciating."