AudioLove

A Physics-Driven Equalizer Derived from Real Circuits. From the Physicist's Bench to Your DAW. For decades, digital equalizers have attempted to recreate the sound of analog hardware - yet something essential has often been missing: the physical interaction between components that gives real circuits their depth, motion, and musical response.

Transcend Frequencies, Transform Dynamics, Mixing For The Future. Future MB is the ultimate time- and frequency-domain multiband dynamic processor. It delivers comprehensive, simultaneous control over dynamics and frequency content through three powerful processing stages per band. Revolutionary Delta Matrix technology allows you to route gain deltas between bands, reshaping dynamics with previously unimaginable freedom. Together, these unique features give you the power to mix for the future.

A prime compressor, optimized for modern times. 11FF Immersive Compressor / Limiter. The 11FF Compressor/Limiter was developed in collaboration with NICHOLAY MIX.

Travel thru great tones and vibes created by Alien Chaos and put your creations on a interestellar level ! This pack contain great sound sounds recorded at 24 bit 44.1 .wav for you start your sound design or even fill up the gaps on your tracks. Enjoy and make killa music with it <3

In 1981 a reverb was released that would go on to define the sound of the decade and redefine reverb itself. When you think of punchy gated drums, lush ambient synths, and the ethereal, atmospheric vocals of the 1980's – you're thinking about the RMX. A truly iconic reverb heard on countless hit records.

The only Level-Loc plug-in licensed by Shure and endorsed by Tchad Blake. Tchad's (not so) Secret Weapon. Tchad Blake is renowned for his creativity in the studio. He's worked with known hitmakers from Sheryl Crow and Peter Gabriel to noisy alt bands like Soul Coughing and the Black Keys.

Organic Soundscapes is a collection of ambiences, textures, one shots, impacts, uplifters and sub frequencies, all sounds made of foley recordings to give an organic texture in your productions.

Based on HIWATT 4121 with FANE Pre Purple Backs. BRIT HWATT 4121 CAB PACK: is an IR pack based on a vintage 4121 Hiwatt cab from the 70s, loaded with FANE 122141 Pre Purple back speakers.

This collection explores the textures of analog tape—saturated tones, subtle noise, and unique character. Use them as tools or as inspiration for something new. Dive in.

AIR Solina - Strings Evolved. The AIR Solina Plugin is based on the Iconic classic 6-timbre polyphonic keyboard instrument featuring Contrabass, Cello, Viola, Violin, Trumpet and Horn selections with independent volume, pan and pitch control. Combine them for a massive sonic experience to liven up even the most thrilling music production.

What if someone had done all that hard work already? - gotten the subs under control, used harmonic processing and hi-end hardware to bring out the weight needed for a modern club record whilst still making sure the ‘note’ is singing out for small speakers?

If you are looking for some great sounds and inspiration for your tracks, take a look at this...Fucking Madness is a sample pack with just high end samples from FM sounds that fits perfect with hitech tracks...All samples 24bit 44.1 kHz from sources like Virus TI, 0-Coast and Serum VST and processed with UAD plugins to bring harmonics and make it sound in your face !

With almost 100 samples, this pack is gigantic and ready for action. The amount of timbre and sonic mayhem contained here is insane enough as it is, but add any creative filtering, reverb, or pitchshifting and you've instantly got a hundred or so MORE possibilities!

Extreme Resonance combines the best of additive, spectral, FM and granular synthesis (and even image synthesis!) to create highly-resonant textures reminiscent of eerie field recordings, space exploration and even the depths of our own ocean. Highly-filtered, extremely degraded and reconstructed, this sample pack is an exploration into the unknown!

Morphing Granular Clouds consists of designs I created from scratch and re-sampled using granular synthesis techniques (along with some gigantic homemade delay lines) in order to come up with some truly bizarre, atmospheric and sometimes even beautiful textures.