AudioLove

Mix your spoken dialogue to perfection in seconds with Speech Sauce, Reid Stefan's signature Waves StudioRack Preset with 8 simple knobs for instant control over a 100% Waves plugin chain. Drop this StudioRack onto any recorded speech and enjoy the instant polished finished of the default preset, or tweak the 8 macro knobs to fit your voice! Waves Speech Sauce is compatible with every DAW. Compatible only with v11 or v12 Waves plugins.

Mix your spoken dialogue to perfection in seconds with Speech Sauce, Reid Stefan's signature Ableton Preset with 8 simple knobs for instant control over a 100% stock plugin chain. Drop this Audio Effect Rack onto any recorded speech and enjoy the instant polished finished of the default preset or tweak the 8 macro knobs to fit your voice! Speech sauce compatible with Ableton 11 and 10 versions for Lite, Standard, and Suite.

Reviews: Arturia AudioFuse Studio - PreSonus Quantum 2626 - Apple Logic Pro X 10.5 - PreSonus Studio One 5 - Cranborne Audio EC2 - Liquidsonics Cinematic Rooms - Yamaha YC61 & CP88 keyboards - Novation Launchkey MkIII - VSL Big Bang Orchestra libraries - IK Multimedia iRig Keys 2 Mini - Rupert Neve Designs RMP-D8 - PA Brainworx Amek EQ200 - Apogee Clearmountain's Spaces - AKG Lyra USB mic - Output Thermal - Plugin Boutique Scaler 2 - and plenty more...

Reviews: Arturia PolyBrute (front cover) - Neve 8424 console - Clavia Nord Wave 2 - Neumann V402 mic preamp - Voyage Audio Spatial Mic - Orchestral Tools Junkie XL Brass - Josephson C705 mic - Arturia KeyStep Pro - Black Lion Eighteen preamp - PreSonus PX-1 mic - Tone Projects Unisum mastering compressor - UK Sound 1073 - Waldorf STVC keyboard - Unity Audio Mini Boulder monitors - Steinberg Cubasis 3 Android - and plenty more...

Reviews: Choosing A 500-series Chassis (front cover) - Choosing 500-series Modules - Antelope Audio Zen Tour Synergy Core interface - Prism Sound Dream ADA-128 (first look) - API 312 mic preamp - Aston Element mic - Roger Mayer 500 Series - Roland VAD506 electronic drums - Korg SoundLink MW-2408 mixer - DACS HeadLine - Universal Audio Apollo Solo - Apple MacBook Pro 13 - IK Multimedia MixBox - UST UT FET 47 mic - Audix A Series headphones - Akai MPK Mini MkIII - PreSonus PM-2 mic - UJAM Virtual Bassist 2 - zPlane deCoda song deconstruction plug-in - Amphion FlexBase25 - 4MS Ensemble Oscillator, Spitfire Audio Symphonic Motions - and plenty more...

Reviews: Avid Pro Tools | Carbon (front cover+video) - Audient EVO 4 & EVO 8 interfaces - iZotope RX8 audio restoration software - Avantone CLA-10A nearfields - UDO Audio Super 6 polysynth - Heavyocity Damage 4 library - APS Klasik 2020 monitors - Tascam Model 12 USB mixer/recorder - Arturia Modulations plug-ins - Mojave MA-50 microphone - Austrian Audio Hi-X50 headphones - Spitfire Audio Abbey Road One: Orchestral Foundations library - RYK Modular M185 sequencer - TC Electronic Finalizer software - and plenty more...

Utterly Familiar yet Excitingly Strange. We built CARBON because there was nothing like it – a virtual instrument creating versatile modern “sound-designed” guitar sounds in all kinds of music genres – from the super-quantized accents in electronic music to action-packed big riffs in game soundtracks to subtle vibes in movie scores.

WINDS OF NATURE is the second SFX library from our series of absolutely stunning nature recordings by Emmy-winner and nature recording genius Gordon Hempton. Hempton has searched the globe for more than three decades to record nature at its most pristine and we are proud to be the exlcusive distributor besides Gordon's very own company QUIET PLANET.

Big Fat Christmas Bundle is one of the most versatile bundles of all time containing more than 10 different music genres in 23 different sample packs.
If you are a producer who likes to experiment then this is the bundle for you.

Detailed deconstructed Ableton Remake version of Moonlight, a future house song by Gaullin, released by Ultra. A great track with a lot to learn about Synths, Build-ups, Serum, Drops, Sub Bass, Song Structure, Automations, and many more elements of modern Future House Music Production.

The only pack you need for producing Tech House is finally here. Tech House Volume 1 is filled with an abundance amount of different Drum Sounds, FX Loops, Instruments Sounds, & Vocal Loops.

The warble and crackle of classic synths illuminate this twilight dash through shattered city soundscapes. Escape Tones for the Analog Four offers up a toolbox of 128 patches, with creator Robin Rudén supplying a plethora of bass, leads, and atmospheric pads fit for all manner of exploits, ranging from tight and modern sounding to grainy etched echoes. Delve for a sound, and find sleek and clean or pillar-shakingly savage, and everything in-between. Then inject your own spark for customized cacophonies and euphonies.

Step inside 'Mix L.A.', the studio of superstar mix engineer Chris Lord-Alge! Throughout this series, CLA guides you through his mixing process with the country rock anthem 'Smoke Break' by singer Carrie Underwood. With the original Pro Tools mix session feeding his SSL 4000 console, Chris takes a listen to his original 2015 stereo mix, then challenges himself to remix the song in real time. He begins with a walkthrough of his session management principles, hybrid template, and an overview of his premium outboard gear used on the project. Going through all parts of the session, CLA reveals what plug-ins and equipment he applies to vocals, acoustic guitar, piano, bass, mandolin, electric guitar, drums, samples, claps, Hammond organ, and the mix buss. He then dives into the exciting process of mixing, and clearly explains his signal processing, automation moves, and other actions every step of the way!

Join us at Rocket Carousel studio for an extensive series with the multi-talented Greg Wells! Throughout these eleven videos, the Grammy award-winning producer dives into the multi-track recording session of ‘The Other Side of Fear' by artist Bea Munro. Wells takes you through his hybrid setup that includes a bespoke Undertone Audio console, a selection of outboard gear, and various plug-ins within Pro Tools. He proceeds to mix the project from scratch, revealing his mix template and processing techniques for live drums, electric guitars, bass, vocals, and the mix buss. You'll see how he uses both hardware and software tools for EQ, compression, harmonic excitement, distortion, and more, in both direct and parallel applications. Greg builds a static mix, then performs plug-in and level automation until he reaches a point at which he would like the artist to hear the record.

Hosted at Larrabee Studios in L.A., this series features the acclaimed mixer Jimmy Douglass mixing a song from scratch! Using the Pro Tools multi-track, a SSL 9080 XL K-Series console, plug-ins, and outboard gear, Douglass mixes the song 'Lost It All' by Jared Evan. You can witness his entire workflow from project start to finish as he rearranges the session layout, troubleshoots, edits, corrects pitch, and mixes until the final printing stage. Throughout the series, he demonstrates his treatment used for male vocals, drums, bass, acoustic and electric guitar, piano, and live strings. Aside from explaining his techniques, Jimmy Douglass elaborates on such pertinent subjects as monitoring, mix translation, console headroom, distortion, and more!