AudioLove

Based on SEARS/SILVERTONE 1484 Twin Twelve. USA 1484 CAB PACK: is an IR pack based on a vintage 1960s SEARS / Silvertone 1484 Twin Twelve, loaded with JENSEN C12Q.

Easily create sound effects and music (.wav file) from layers in your composition with AI. All running locally on your machine.

Ozone is an all-in-one suite of 20 pro tools designed for modern mastering, accelerated by a time-saving, AI-powered assistant. Building on over two decades of award-winning, cutting-edge innovation, Ozone 12 keeps you in full control while offering previously impossible mastering workflows. Whether it's your first track or the latest in a long line of hits, this is everything you need to bring your creative vision to life.

RX 11 Advanced is the industry trailblazer for audio repair and enhancement. Powered by machine learning technology, RX's comprehensive suite of tools tackles everything from common audio problems to the trickiest of sonic rescues, for music, audio post production, and content creation. RX is available as a standalone audio editing application that includes a suite of software plugins for use with digital audio workstations (DAWs).

SMOOTH FUTURE SOUL
A bridge between classic soul music and 21st century production techniques
50 MASCHINE and 59 BATTERY Kits for a dreamy, chilled-out ambience
MASSIVE and PRISM presets for smooth, soulful sounds.

AWAKE IN THE ATMOSPHERE. SOLAR BREEZE explores the evocative panorama of indie electronica with exclusive acoustic-electronic sounds.

Ambient, magical, dark, and arcane – SCENE contains 150 presets for immersive atmospheres and evolving soundscapes. Sequenced, multitimbral, and complex, expect sounds that are as suited to avant-garde scoring as they are to off-kilter electronic music and SFX creation. Each is equipped with clever macro mapping for sound sculpting within a single patch.

BOUNCE packs 150 one-shot style sounds that cover everything from heavy-hitting kicks and 808s to essential trap percussion, dusty old-school sounds, energetic risers, and lots more. From UK drill to West Coast styles, reggaeton rhythms to banging afrobeat - you'll find it here.

Sound design is often the difference between tracks that feel flat and tracks that feel alive. In Top 10 Sound Design Ideas, Larry Holcombe presents a focused video course packed with practical, production-ready techniques you can apply immediately to inject movement, depth, and personality into your sounds.

Mike Bandoni presents a 10 track album of instrumental breaks, beats and grooves filled with atmospherics, luscious textures and emotions for your listening pleasure! If you love Funk, Soul, Jazz, Hip Hop and Soundtracks, this is a must have for your music collection.

Phoenix II is an update of Crane Song's suite of TDM plug-ins designed to emulate the unique properties of a magnetic tape machine. Phoenix II runs both NATIVE and DSP on Avid's AAX format. Beta now available with additional AU and VST3 formats! Phoenix II uses 32 bit floating point math and has a lower noise floor than the original release.

Contains All Plugins from Strymon. Includes: BigSky v1.2.0. El Capistan v1.0.2. DIG v1.0.1. Deco v1.0.0. NightSky v1.0.1. Cloudburst v1.0.1. - Does not require the iLok driver to run.

SMUGI. ICONIC 1960S FILTER BANK. SPECTRAL SCULPTURES. Smugi is a recreation of an iconic filter bank used in the most iconic early electronic music studios of the 50s and 60s. Radically reshape any sound you throw at it. Sculpt your sound with vintage warmth, or push it into wild distortion, thanks to the obsessively modeled saturation. Perform live, thanks to inspiring macros and experimental effect modules.

RYSY. LEGENDARY 1950S FILTER. A FILTER, A PREAMP, AND A BUNCH OF BOLD CHOICES. The year is 1957. In a small country in Eastern Europe, a new studio opens. In a few years, it becomes a symbol of artistic freedom, unheard-of in the communist block. It also just happens to be one of the very first experimental music studios in the world. They even make dub techno, before it's recognized as a genre.

NISKO. 1960S SUPER SUB BASS. LIKE A PUNCH IN THE CHEST. (IN A GOOD WAY). The year is 1963. A legendary German company specializing in making strange electro-mechanical instruments and accordions set out to create something missing in accordion orchestras: a bass voice. They called it the Basset. It was the first solid-state bass synthesizer ever made. It made rooms shake. And now, it can shake yours, too.