Down
Additional Libraries

unEarthed Sampling Forgotten Songs [KONTAKT]

unEarthed Sampling Forgotten Songs
P2P | 16 January 2019 | 14.8 MB
Awesome PADS and AMBIENT material stemming from public domain vinyl recordings from the 30s.

  • Atonal Choir patches, Drones, Pads, and Staccs
  • Perfect for Sci Fi, Horror, Chillout, and Ambient music
  • Looped and unlooped patches
  • 25 Kontakt Instruments
  • Highly (and easily) tweakable GUI
  • Toggleable Convolution Reverb
  • Control the High, Mid, and LO EQ tweaks from the GUI
  • Control the attack of each patch from the GUI
  • Cinematic atonal awesomeness out of the box!
  • For the FULL version of Kontakt 4.2+


Atonal Chaos. Ligeti and The Monolith from 2001 go hand in hand... if you're next score is in need of a similar tone and some creepy atonal pads and drones, Forgotten Songs is for you!

If you're familiar with classical pieces from Gygory Ligeti such as Lux Aeterna... then you already know what to expect with FS. This sort of ever evolving creeptastic choir vibe is the sound we were after for the library... albeit a bit more synthetic in tone. Through stretching, tweaking, maming, destroying, and processing various clips from old public domain vinyl recordings from the 1930s, we have achieved it. The end result is extremely creepy as some of these pads have a 10 or 20 second buildup stemming from insanely stretched choir or orchestra sounds.

Also included are looped versions of many patches. Combined with the LFO control on the mod wheel and Attack / EQ controls on the GUI you can create some very organic and constantly moving creepout pads. The toggleable convolution reverb makes these sound HUGE.

Forgotten Songs is also a nice addition to your arsenal if you're an artist specializing in ambient or chillout as these sounds cater to that genre rather well.

home page


Only registered users can see Download Links. Please register or login.
RATING
+2
Genre
Cinematic, Ambient or ChillOut

No comments yet

5
...

Information

Users of Guest are not allowed to comment this publication.