Samples / Additional Libraries
Big Fish Audio Canyon: Cinematic Texture Guitars [MULTiFORMAT]
P2P | 27 April 2019 | Total Size: 16.89 GB
KONTAKT: 3.71 GB | REX: 2.24 GB | RMX: 3.78 GB | AIFF: 3.49 GB | WAV: 3.67 GB
KONTAKT: 3.71 GB | REX: 2.24 GB | RMX: 3.78 GB | AIFF: 3.49 GB | WAV: 3.67 GB
Canyon: Cinematic Texture Guitars brings you over 6 GB and 25 construction kits full of ambient and cinematic guitar soundscapes. With driving rhythms, sustained chords, simple arpeggios, dynamic strums, and colorful melodies, Canyon, by Big Fish Audio and Sample Factory, can fit perfectly in your next piece for TV, film, documentaries, or any project needing guitar textures with a modern touch. Canyon includes both Amped and Direct Input versions of every file so you can be sure to have complete tonal control over this collection of kits.
Canyon: Cinematic Texture Guitars was created using amazing vintage and legendary guitars and amps including:
- 1967 Fender Stratocaster
- Gibson Les Paul Historic '58
- 1966 Fender Bassman Blackface
- 1974 Marshall Super Lead 1959
- Mesa Boogie Mark III
- '70 Orange OP120
These combinations bring you 100% authentic tone that cannot be beat.
Canyon: Cinematic Guitar Textures has been formatted in all the industry standard file types: Apple Loops, Acidized WAV and REX. Every piece of commonly used hardware and software will be compatible with at least one of these fully developed and usable formats.
Each audio file has been expertly cut and edited to loop perfectly, and has been recorded in the highest quality 24-bit rate to ensure absolutely top quality end results.
If you work primarily with Apple products, be sure to utilize the extra loop tagging functionality in Garageband and Apple Logic as well as Apple's proprietary time stretching and pitch bending algorithms.
If you're working inside Protools, Cubase, Fruity Loops, Ableton Live, Sony ACID, or any other DAW on the market, the Acidized WAV files are the perfect fit for time stretching and pitch bending capabilities. The Acidized WAV files can also be used as standard WAV files in almost any music tool in production today.
Beat-makers and artists who love sampled melodic slices can take advantage of our REX/RMX format that utilizes all the powerful programming found in Stylus RMX and the Dr. Octo REX player in Propellerheads Reason.
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Canyon: Cinematic Texture Guitars was created using amazing vintage and legendary guitars and amps including:
- 1967 Fender Stratocaster
- Gibson Les Paul Historic '58
- 1966 Fender Bassman Blackface
- 1974 Marshall Super Lead 1959
- Mesa Boogie Mark III
- '70 Orange OP120
These combinations bring you 100% authentic tone that cannot be beat.
Canyon: Cinematic Guitar Textures has been formatted in all the industry standard file types: Apple Loops, Acidized WAV and REX. Every piece of commonly used hardware and software will be compatible with at least one of these fully developed and usable formats.
Each audio file has been expertly cut and edited to loop perfectly, and has been recorded in the highest quality 24-bit rate to ensure absolutely top quality end results.
If you work primarily with Apple products, be sure to utilize the extra loop tagging functionality in Garageband and Apple Logic as well as Apple's proprietary time stretching and pitch bending algorithms.
If you're working inside Protools, Cubase, Fruity Loops, Ableton Live, Sony ACID, or any other DAW on the market, the Acidized WAV files are the perfect fit for time stretching and pitch bending capabilities. The Acidized WAV files can also be used as standard WAV files in almost any music tool in production today.
Beat-makers and artists who love sampled melodic slices can take advantage of our REX/RMX format that utilizes all the powerful programming found in Stylus RMX and the Dr. Octo REX player in Propellerheads Reason.
Kontakt 5.8.0 is required to use the Kontakt 5 instrument patches
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