Windows
Plugin Alliance ADPTR Hype v1.0.0 [WiN]
Team R2R | 01 March 2024 | 29.3 MB
HYPE embodies high-end mixing hardware, offering dynamic processing tools for compression, harmonics, and stereo width adjustment. It transcends analog limits with over-the-top compression and groundbreaking harmonic overtones.
Three mixing plugins in one elegant workflow
Whether you're thickening drum loops, enhancing vocal tracks, or mastering your final mix, HYPE's simple three-section design puts a huge collection of powerful tools for mixing and audio enhancement in one simple-to-use plugin.
Multi-band harmonics with no limits
Easily combine multiple harmonic generators and compression algorithms in HYPE to drive, saturate, or enhance signals. Apply distinct harmonic modes across three bands, offering a broad range from smooth and creamy to dirty and distorted.
A revolutionary approach to harmonic overtones
HYPE delivers a full spectrum of harmonic overtones without overprocessing or distortion, thanks to its advanced ADAA algorithms and UrsaDSP's Trajectory technology. This ensures consistent harmonics with minimal inharmonic content, letting you hit the harmonic sweet spot at any gain level.
Multi-band compression with new capabilities
HYPE provides a wide range of compression algorithms for all styles, from subtle to extreme. It features detailed controls for transient, mix, and body, allowing for tailored dynamic shaping across low, mid, and high frequencies.
Six compressor modes
From the extreme Slam to the classic Opto, and the pristine Brick, to the precise Transient, the six compressor modes range from radical to subtle. Combo merges three modes for a unique blend, while Gentle offers elegant, minor adjustments ideal for mastering, providing versatile dynamics control.
Stereo mid/side – it goes where you tell it to
Control mid/side settings across all three bands and independently adjust dry/wet signals. Enhance stereo image and depth, soften midrange frequencies with tone control, and fine-tune sound character for basses, vocals, and beyond.
Improve your mixing choices
Auto Level is integral to HYPE, ensuring changes and enhancements to your mix are unbiased by loudness, enabling improved mixing decisions.
FEATURES:
A feature-rich set of tools for compression, harmonics, and stereo width controls in one plugin
Auto Level feature that underpins HYPE's functionality, maintaining consistent perceived loudness across the mix.
Six compression modes
Six harmonic modes
Preset library
HYPE knob for controlling parallel processing
Multi-band crossover for redefining crossover frequencies with intuitive controls, adjusting the balance across bands for targeted processing
A/B/C/D comparison functions for loading alternative presets into slots for direct comparison, enhancing the decision-making process in sound selection
Linear filters for maintaining absolute phase relationships, perfect for parallel processing, bus processing, and delivering superior sound quality
Stereo module for harnessing mid-side processing on the dry and wet signals to optimize stereo image and depth
Detailed level management establishes the maximum level for upward compression, complete with input and output gain controls and visual metering for peak and RMS levels
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Three mixing plugins in one elegant workflow
Whether you're thickening drum loops, enhancing vocal tracks, or mastering your final mix, HYPE's simple three-section design puts a huge collection of powerful tools for mixing and audio enhancement in one simple-to-use plugin.
Multi-band harmonics with no limits
Easily combine multiple harmonic generators and compression algorithms in HYPE to drive, saturate, or enhance signals. Apply distinct harmonic modes across three bands, offering a broad range from smooth and creamy to dirty and distorted.
A revolutionary approach to harmonic overtones
HYPE delivers a full spectrum of harmonic overtones without overprocessing or distortion, thanks to its advanced ADAA algorithms and UrsaDSP's Trajectory technology. This ensures consistent harmonics with minimal inharmonic content, letting you hit the harmonic sweet spot at any gain level.
Multi-band compression with new capabilities
HYPE provides a wide range of compression algorithms for all styles, from subtle to extreme. It features detailed controls for transient, mix, and body, allowing for tailored dynamic shaping across low, mid, and high frequencies.
Six compressor modes
From the extreme Slam to the classic Opto, and the pristine Brick, to the precise Transient, the six compressor modes range from radical to subtle. Combo merges three modes for a unique blend, while Gentle offers elegant, minor adjustments ideal for mastering, providing versatile dynamics control.
Stereo mid/side – it goes where you tell it to
Control mid/side settings across all three bands and independently adjust dry/wet signals. Enhance stereo image and depth, soften midrange frequencies with tone control, and fine-tune sound character for basses, vocals, and beyond.
Improve your mixing choices
Auto Level is integral to HYPE, ensuring changes and enhancements to your mix are unbiased by loudness, enabling improved mixing decisions.
FEATURES:
A feature-rich set of tools for compression, harmonics, and stereo width controls in one plugin
Auto Level feature that underpins HYPE's functionality, maintaining consistent perceived loudness across the mix.
Six compression modes
Six harmonic modes
Preset library
HYPE knob for controlling parallel processing
Multi-band crossover for redefining crossover frequencies with intuitive controls, adjusting the balance across bands for targeted processing
A/B/C/D comparison functions for loading alternative presets into slots for direct comparison, enhancing the decision-making process in sound selection
Linear filters for maintaining absolute phase relationships, perfect for parallel processing, bus processing, and delivering superior sound quality
Stereo module for harnessing mid-side processing on the dry and wet signals to optimize stereo image and depth
Detailed level management establishes the maximum level for upward compression, complete with input and output gain controls and visual metering for peak and RMS levels
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