Sonatura Audio Amp Sim Solid Soul v1.0.12 [MacOSX]

Specifically designed for Jazz, Country, slide guitar, accordion, steel guitar, and other instruments and genres that focus on the quality of the amp's reproduction of the instrument, rather than how much distortion can be produced. Sonatura's engineers have meticulously reproduced three classic amps that are so rare, most musicians have never even played through them.

Working with the Emrad Grand Master (designed specifically for Johnny Smith), the Kay Vanguard 700, and the Haynes Jazz King II, all parameters have been faithfully and meticulously reproduced. We used a combination of neural modeling, circuit emulation, and impulse responses to create the best of all possible worlds.

Prefer a standalone amp sim, without having to open up your DAW? We've got you covered! The standalone is available for both Mac and PC. The PC version has full ASIO support for extremely low latency. (The Mac version doesn't require ASIO to have low latency.)

There are two sections - the first models each amp with the original controls, and the second models the response of the speakers, through various microphones, as well as the room response of the Fun House, the main studio at PME Records. In addition, the position of each of three mics, the Shure™ SM57, the Sennheiser™ MD421, and the Royer™ R-121 ribbon, can be varied from the center of the cone to the edge, and all points in between. There's also an E-V™ Re-20 mic on the back of the cabinet. And finally, an ORTF stereo pair is out in the room, with the stereo image and distance delay kept intact. Every channel has Mute, Solo, Volume, and Pan controls, along with an LED meter.

Each of the two sections can be individually bypassed to allow the use of the amp alone as a direct signal, or for integrating with your favorite amp sim or IR loader. The suite as a whole is perfect for use as a pedal platform, sending your own pedal board right into the amp, and play through the standalone product with no DAW.

SOLID SOUL - Three amps giving us the Bright combo feel of Jazz

Classic Clean Jazz Tones

Hard-to-Find Amps

Ability to Move Microphones

Stereo ORTF Room Mics

Full Mixing Capability

All Parameters Can Be Automated

Flexible Bypass Abilities

Same Controls as the Original Amps

Neurally Modeled

Great Mics and Great Preamps

VIDEOS
In the walkthrough, come with Craig as he goes through the controls, as well as playing samples of each amp. The audio samples are provided by Jake Alvarez.

Sample Audio
Special thanks to Gary Paul and Jake Alvarez for these samples!
Here are three Solid Soul samples:

Song 1
00:00 - Direct Guitar
00:09 - Emrad-Reverb on 7, all mics used except for RE20
00:19 - Kay-Tone midway, SM57 and RE20 mics used
00:28 - Haynes-Treble at 1 o'clock, SM57, RE20 and Room Mics used
00:38 - Haynes-Gain switch on, Input at 1:30, all mics used except RE20

Song 2
00:00 - Direct Guitar
00:25 - Emrad-Bright Switch On, Reverb at 3:00, only room mics on
00:50 - Kay-Tone knob Full Up, using only the Royer R-121
001:15 - Haynes-Bass at 2:00, Treble at 10:00, Reverb at Noon, using SM57 and MD421 mics
all the way to the Edge, panned to center

Song 3
00:00 - Direct Guitar
00:13 - Haynes-Treble at 4:00, Reverb at Noon, using SM57 and MD421 mics
panned opposite, as well as RE20 and Room Mics
00:26 - Kay-Bass switch On, Tone at Noon, using SM57 and MD421 panned opposite
00:39 - Emrad-Bright switch On, Trem Depth and Speed at Max, Reverb at Noon, using
SM57 and MD4211 panned opposite

home page