Nail The Mix Lorna Shore To The Hellfire with Josh Schroeder [TUTORiAL]

P2P | 25 February 2026 | 4.74 GB
“To the Hellfire” is one of the most talked-about deathcore releases of the last decade - widely credited with reigniting genre interest and introducing a new level of compositional and technical ambition. Vocalist Will Ramos' debut with Lorna Shore, this track from the EP …And I Return to Nothingness pushes the envelope of extremity with layered orchestration, machine-precise blast beats, and vocal performances that defy categorization. The track's crescendos, dense harmonics, and terrifying dynamic peaks make it a rewarding challenge for mixers looking to go deep with intricate heavy arrangements.
Josh Schroeder, known for his innovative, high-impact work with bands like King 810, Tallah, and The Color Morale, crafted a detailed and punishing mix that balances weight and clarity in a rarely mastered way. Tracked and mixed at Random Awesome Studio, Schroeder's approach puts a huge emphasis on textural saturation, tight low-end control, and retaining a massive stereo field without losing source separation. “To the Hellfire” forces you to navigate everything from absurdly fast kick patterns and multi-tracked growls to complex orchestral transitions that demand nuance and dynamic contouring.
The multitracks open up Schroeder's mix layer by layer - including highly sculpted drum tones, advanced vocal layering and FX returns, and rich mid-side treatments on guitars and orchestration. Whether you're looking to test your skills at low-end energy management, getting separation in stacked low-mid elements, designing vocal FX for extreme production styles, or just learning how the hell everything stays glued together, this session is essential.
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Josh Schroeder, known for his innovative, high-impact work with bands like King 810, Tallah, and The Color Morale, crafted a detailed and punishing mix that balances weight and clarity in a rarely mastered way. Tracked and mixed at Random Awesome Studio, Schroeder's approach puts a huge emphasis on textural saturation, tight low-end control, and retaining a massive stereo field without losing source separation. “To the Hellfire” forces you to navigate everything from absurdly fast kick patterns and multi-tracked growls to complex orchestral transitions that demand nuance and dynamic contouring.
The multitracks open up Schroeder's mix layer by layer - including highly sculpted drum tones, advanced vocal layering and FX returns, and rich mid-side treatments on guitars and orchestration. Whether you're looking to test your skills at low-end energy management, getting separation in stacked low-mid elements, designing vocal FX for extreme production styles, or just learning how the hell everything stays glued together, this session is essential.
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