Windows
LusiD BuzzCut v1.0.0 [WiN]
MOCHA | 01 April 2026 | 6.1 MB
Designed for LOUD, CLEAN masters & FAT, DIRTY basses.
Get 1dB louder than your current clipper.
Why Standard Hard Clippers Sound Bad
Standard hard clipper VST plugins have a fixed digital ceiling.
This has two fatal flaws:
* It collapses your transients to mono during clipping events.
* It adds sustained musically orphaned harmonics – digital foldback aliasing.
This combination turns your mix into a thin, harsh metallic mess.
A New Approach
BuzzCut is the world's first erosion clipper plugin. It modulates the clipping threshold with shaped noise.
This creates a unique transient response that:
* Retains 3D stereo depth.
* Masks inharmonic foldback aliasing with "analog noise" when clipping events occur – similar to how dithering masks truncation distortion.
Now you have the freedom to choose: analog air.
BuzzCut Features: A Creative Sound Design Monster
Everything you need in a mastering clipper
Asymmetric Distortion for Even-Order Harmonics
Unlinked positive and negative clipping thresholds. Apply different wave-shaping curves and erosion to each polarity independently. This generates even-order harmonics – the warmth of analog tubes that no symmetrical clipper can touch.
DAW-Synced Dual-Channel Oscilloscope
Stop guessing: see exactly what you're doing to the waveform on the LEFT and RIGHT channels simultaneously in real-time. Detach the oscilloscope for monitoring and customize the display to your preference. No other clipper gives you simultaneous dual-channel visual feedback with DAW sync.
Multi-Stage RMS & LUFS Auto-Gain Matching
Instant level matching with one-click LUFS calibration. Audition the sound, not the volume jump. Three separate stages of RMS auto-gain compensation (soft clip, hard clip, mix) ensure your signal stays controlled even when driving it to -3 LUFS and beyond
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Get 1dB louder than your current clipper.
Why Standard Hard Clippers Sound Bad
Standard hard clipper VST plugins have a fixed digital ceiling.
This has two fatal flaws:
* It collapses your transients to mono during clipping events.
* It adds sustained musically orphaned harmonics – digital foldback aliasing.
This combination turns your mix into a thin, harsh metallic mess.
A New Approach
BuzzCut is the world's first erosion clipper plugin. It modulates the clipping threshold with shaped noise.
This creates a unique transient response that:
* Retains 3D stereo depth.
* Masks inharmonic foldback aliasing with "analog noise" when clipping events occur – similar to how dithering masks truncation distortion.
Now you have the freedom to choose: analog air.
BuzzCut Features: A Creative Sound Design Monster
Everything you need in a mastering clipper
Asymmetric Distortion for Even-Order Harmonics
Unlinked positive and negative clipping thresholds. Apply different wave-shaping curves and erosion to each polarity independently. This generates even-order harmonics – the warmth of analog tubes that no symmetrical clipper can touch.
DAW-Synced Dual-Channel Oscilloscope
Stop guessing: see exactly what you're doing to the waveform on the LEFT and RIGHT channels simultaneously in real-time. Detach the oscilloscope for monitoring and customize the display to your preference. No other clipper gives you simultaneous dual-channel visual feedback with DAW sync.
Multi-Stage RMS & LUFS Auto-Gain Matching
Instant level matching with one-click LUFS calibration. Audition the sound, not the volume jump. Three separate stages of RMS auto-gain compensation (soft clip, hard clip, mix) ensure your signal stays controlled even when driving it to -3 LUFS and beyond
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