Windows
Temecula DSP MSP-126 v0.1.5 [WiN]
Team R2R | 26 April 2026 | 5.18 MB
Not a Reverb. Not a Delay. Something Else Entirely.
The MSP-126 occupies a unique space in the signal processing world. With twelve independently controlled delay taps - six per channel - it can do things that neither a conventional delay line nor a reverberator can. Transparent mono-to-stereo conversion with perfect mono compatibility. Early reflection patterns that simulate acoustic spaces without the long decay tail. Delay-based panning that holds up off-center. Musically tuned comb filters. Stereo echo patterns that bounce between speakers. Eight distinct processing modes, each with 256 combinations of delay and gain settings - and an addictive sound you'll want to put on everything.
This plugin faithfully emulates the original's hardware PROM-driven architecture. Only about 70 units were ever made, so finding one today is almost impossible, but now you can have this rare piece of kit in your DAW 100% bit accurate to the original.
Eight Modes of Processing
MSP11 - Stereo Processing
Converts mono to stereo with flat frequency response across left, right, and mono sum. The most transparent mode - ideal for general-purpose stereo enhancement.
CSP - Comb Filter Stereo
Complementary comb filters create dramatic stereo coloring while maintaining perfect mono compatibility. Like a static flanger with two mirror-image outputs.
ROOM - Early Reflections
Simulates the early reflection patterns of acoustic spaces with adjustable size and distance. Adds depth without the long tail of a reverberator.
DLAY - Delay Cluster
A cluster of short stereo delays after an adjustable pre-delay. Adds body and width with natural separation from the source.
PAN - Delay-Based Panning
Multi-tap delay patterns create robust stereo positioning that holds up off-center and maintains mono compatibility at higher width settings.
DDL - Digital Delay Line
A straightforward single-tap delay with selectable channel routing and up to 360ms of delay time. Simple, clean, and versatile.
RPTS - Repeats
Evenly spaced stereo repetitions that alternate between channels. Adjustable count, timing, and amplitude profile - including a reversed-tape effect.
SCALE - Musical Scale Filter
Comb filters tuned to musical intervals. The left channel locks to A=440Hz while the right steps through a chromatic scale. Dramatic on broadband material.
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The MSP-126 occupies a unique space in the signal processing world. With twelve independently controlled delay taps - six per channel - it can do things that neither a conventional delay line nor a reverberator can. Transparent mono-to-stereo conversion with perfect mono compatibility. Early reflection patterns that simulate acoustic spaces without the long decay tail. Delay-based panning that holds up off-center. Musically tuned comb filters. Stereo echo patterns that bounce between speakers. Eight distinct processing modes, each with 256 combinations of delay and gain settings - and an addictive sound you'll want to put on everything.
This plugin faithfully emulates the original's hardware PROM-driven architecture. Only about 70 units were ever made, so finding one today is almost impossible, but now you can have this rare piece of kit in your DAW 100% bit accurate to the original.
Eight Modes of Processing
MSP11 - Stereo Processing
Converts mono to stereo with flat frequency response across left, right, and mono sum. The most transparent mode - ideal for general-purpose stereo enhancement.
CSP - Comb Filter Stereo
Complementary comb filters create dramatic stereo coloring while maintaining perfect mono compatibility. Like a static flanger with two mirror-image outputs.
ROOM - Early Reflections
Simulates the early reflection patterns of acoustic spaces with adjustable size and distance. Adds depth without the long tail of a reverberator.
DLAY - Delay Cluster
A cluster of short stereo delays after an adjustable pre-delay. Adds body and width with natural separation from the source.
PAN - Delay-Based Panning
Multi-tap delay patterns create robust stereo positioning that holds up off-center and maintains mono compatibility at higher width settings.
DDL - Digital Delay Line
A straightforward single-tap delay with selectable channel routing and up to 360ms of delay time. Simple, clean, and versatile.
RPTS - Repeats
Evenly spaced stereo repetitions that alternate between channels. Adjustable count, timing, and amplitude profile - including a reversed-tape effect.
SCALE - Musical Scale Filter
Comb filters tuned to musical intervals. The left channel locks to A=440Hz while the right steps through a chromatic scale. Dramatic on broadband material.
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