The Vocalist Studio Vocal Warm Up Course [TUTORiAL]
FANTASTiC | 23 July 2018 | 1.29 GB
It can be difficult as a beginning vocalist to realize the value of a warm up. A beginner might not know what exercises to do for their warm ups and how long to do them for. As a result, many singers get in the habit of either not warming up enough or “warming up” for so long that their voices are already experiencing signs of tiredness by the time the singers actually want to start singing. What’s more, these habits tend to carry over to when these singers become more advanced and they start dealing with more demanding music.
In the video above, Robert Lunte answers a question about a hypothetical professional singer experiencing “rawness” and discomfort in their voice after only a few gigs in a row. In his answer, Maestro Lunte ultimately determines that the source of the singer’s problem is partially vocal technique and stamina management during warm up routines.
One of the most common sources of a singer’s discomfort when singing on a regular basis is doing the wrong exercises as part of a warm up routine. Warm ups are most effective when they are light and work on your top-down phonation (resonate in the mask). This is because top-down positioning helps with the relaxation of the constrictors (muscles that induce straining and choking) and thus, reduce the amount of physical effort required for singing.
If the first thing a singer does when they start to use their vocal apparatus is heavy singing, it is no wonder then that their voices will wear much quicker than if they were to start light and ease into more demanding singing as needed. In this respect, singers are much like athletes. A marathon runner doesn’t run marathons to train for another marathon. Likewise, singers should treat their voice accordingly; beginning with light warm ups and maintaining a top-down position when singing as much as possible.
For Warm ups, the best exercises are those that vibrate the resonators. You should feel the vibration in your nose, the upper palate, the teeth, and in your mouth when singing. Do sirens with brighter harmonics that include practice of twang, quack, and compression. Another great set of exercises to warm up are the onset series found in The Four Pillars Singing.
home page
In the video above, Robert Lunte answers a question about a hypothetical professional singer experiencing “rawness” and discomfort in their voice after only a few gigs in a row. In his answer, Maestro Lunte ultimately determines that the source of the singer’s problem is partially vocal technique and stamina management during warm up routines.
One of the most common sources of a singer’s discomfort when singing on a regular basis is doing the wrong exercises as part of a warm up routine. Warm ups are most effective when they are light and work on your top-down phonation (resonate in the mask). This is because top-down positioning helps with the relaxation of the constrictors (muscles that induce straining and choking) and thus, reduce the amount of physical effort required for singing.
If the first thing a singer does when they start to use their vocal apparatus is heavy singing, it is no wonder then that their voices will wear much quicker than if they were to start light and ease into more demanding singing as needed. In this respect, singers are much like athletes. A marathon runner doesn’t run marathons to train for another marathon. Likewise, singers should treat their voice accordingly; beginning with light warm ups and maintaining a top-down position when singing as much as possible.
For Warm ups, the best exercises are those that vibrate the resonators. You should feel the vibration in your nose, the upper palate, the teeth, and in your mouth when singing. Do sirens with brighter harmonics that include practice of twang, quack, and compression. Another great set of exercises to warm up are the onset series found in The Four Pillars Singing.
home page
Only registered users can see Download Links. Please or login.
No comments yet