Additional Libraries
Emergence Audio Envoy [KONTAKT]
P2P | 16 September 2026 | 2.31 GB
A real-time Rhythmic Variator™. 600 analog percussion sources across two independent layers, recombined as they play. Percussion in the now.
You know the feeling.
A couple of bars in, that drum loop already sounds stale. And like everyone else's. Because it is. Same packs, same loops, variation baked in before you ever touched it. Programming it yourself is no better: hours of round robins and velocity lanes to imitate what a performance does on its own.
That's creativity in reverse.
Envoy works forward.
The Cadence Engine recombines sources and reshapes sequences as they play, so the groove keeps moving without landing the same way twice. Spontaneous, alive, and you control how much or how little every step moves.
Variation that never overwrites your work.
Turn it on and the sequence evolves continuously, on a percentage you set, per mode, per block and per parameter. Turn it off and your original pattern returns untouched.
Randomize the last block of a phrase, or arm all four blocks for continuous evolution.
Two layers. Three clocks.
Two layers, each four blocks of one to eight steps on its own rate, plus the Master LFO on a third - three independent clocks.
Each layer runs its own sequencer rate, and the Master LFO runs a third, on its own division. Lock the layers together and they sit in the grid. Set them apart and they cycle against each other for bars on end.
Rates run from four bars to 1/128. Each layer runs four blocks in sequence, each holding one to eight steps. The rate sets the block's duration, so step count subdivides time instead of stretching it.
Five parameters, every step.
Five parameters on every step: velocity, pitch, pan, length, and low-pass or high-pass filter.
Velocity, Pitch, Length, Pan and a per-step LP/HP filter, each drawn independently across up to 32 steps, and each independently randomizable.
The filter becomes part of the rhythm rather than a static setting.
Morph both layers in one gesture.
The crossfade matrix sits on an infinity curve, with an independent volume orb per layer. Link it to the mod wheel to sweep from one layer to the other while you play.
One Master LFO drives the whole signal path, so you can ride a complete modulation scheme from a single depth control.
One engine, four keyboard workflows.
Envoy ships as four NKI patches. The patch sets how the two layers map to your keyboard; every Cadence Engine control stays the same.
home page
You know the feeling.
A couple of bars in, that drum loop already sounds stale. And like everyone else's. Because it is. Same packs, same loops, variation baked in before you ever touched it. Programming it yourself is no better: hours of round robins and velocity lanes to imitate what a performance does on its own.
That's creativity in reverse.
Envoy works forward.
The Cadence Engine recombines sources and reshapes sequences as they play, so the groove keeps moving without landing the same way twice. Spontaneous, alive, and you control how much or how little every step moves.
Variation that never overwrites your work.
Turn it on and the sequence evolves continuously, on a percentage you set, per mode, per block and per parameter. Turn it off and your original pattern returns untouched.
Randomize the last block of a phrase, or arm all four blocks for continuous evolution.
Two layers. Three clocks.
Two layers, each four blocks of one to eight steps on its own rate, plus the Master LFO on a third - three independent clocks.
Each layer runs its own sequencer rate, and the Master LFO runs a third, on its own division. Lock the layers together and they sit in the grid. Set them apart and they cycle against each other for bars on end.
Rates run from four bars to 1/128. Each layer runs four blocks in sequence, each holding one to eight steps. The rate sets the block's duration, so step count subdivides time instead of stretching it.
Five parameters, every step.
Five parameters on every step: velocity, pitch, pan, length, and low-pass or high-pass filter.
Velocity, Pitch, Length, Pan and a per-step LP/HP filter, each drawn independently across up to 32 steps, and each independently randomizable.
The filter becomes part of the rhythm rather than a static setting.
Morph both layers in one gesture.
The crossfade matrix sits on an infinity curve, with an independent volume orb per layer. Link it to the mod wheel to sweep from one layer to the other while you play.
One Master LFO drives the whole signal path, so you can ride a complete modulation scheme from a single depth control.
One engine, four keyboard workflows.
Envoy ships as four NKI patches. The patch sets how the two layers map to your keyboard; every Cadence Engine control stays the same.
Works with Kontakt FULL or Kontakt Player v8.1.0 or later!
home page
Only registered users can see Download Links. Please or login.
No comments yet