AudioLove

Master the Fl Studio and Learn To Produce Beats and Instrumentals.

Introducing Devils Bane Trailer, a chilling symphony of horror encapsulated in 533 meticulously crafted sound files, ready to unleash terror upon your audience. Dive into a nightmare realm where every creak, whisper, and shriek is meticulously designed to send shivers down your spine.

Based on a EVH 5150 Iconic 4x12 loaded with Celestion Lynchback. Preamp: - Neve 1073. - Chandler Germanium. Mics (folder list): - AKG C414 XLS. - AKG D12. - Audiotechnica 2500C.

Based on a Diezel 4x12 loaded with Celestion G12K100. Preamp: - Neve 1073. - Chandler Germanium. Mics: - AEA R44. - AKG C12. - AKG C12A. - AKG C414 XL2. - AKG C414 XLS.

Based on a Mesa Boogie 4x12 Oversized loaded with Celestion Creamback G12M65. Preamp: - Neve 1073. - Chandler Germanium. Mics: - AEA R44. - AKG C12. - AKG C414 XLII.

Based on an Peavey Invective 4x12 with Celestion Creamback H75. - Neve 1073. - Chandler Germanium. Mics (folder list): - AKG C414 XLS. - AKG D12. - Audiotechnica 2500C.

Based on a Supro Galaxy 4x12 Cabinet loaded with Eminence CV-75. Preamp: - Neve 1073. - Chandler Germanium. Mics (folder list): - AEA R44. - AKG C12A. - AKG C414 XL2.

Based on a Mesa Boogie Roadking 4x12 (closed part) loaded with Celestion G12H150 Redback. Preamp: - Neve 1073. - Chandler Germanium. Mics (folder list): - AKG C414 XLS.

Based on a Marshall 1960 4x12 loaded with Celestion G12H30 70Th Anniversary. Preamp: - Neve 1073. - Chandler Germanium. Mics (folder list): . - AEA R44. - AKG C12.

Based on a VHT/Fryette 4x12 loaded with Celestion V30 Made in England. Preamp: Neve 1073. Chandler Germanium. SSL Channel. API Channel. Mics: AKG C414. Audiotechnica AT2035.

INTRODUCING "THE EVERYTHING BUNDLE" - THE QUINTESSENTIAL PRESET PACK FOR XLN AUDIO'S "ADDICTIVE DRUMS 2" - THESE BELOVED PRESETS HAVE BEEN UTILIZED BY THOUSANDS OF PRODUCERS WHO ARE LOOKING FOR AUTHENTIC ACOUSTIC DRUMS ACROSS A HIGHLY DIVERSE RANGE OF GENRES.

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Inspired by hydraulic pressure, steam room reverbs and synthesis that buckles and twists, Manchester soundbender Henzo carves up a collection of leftfield tones for Rubicon. While the most obvious applications of these percs, basslines and atmospheres would be bass music, dubstep and half step dnb, wobbly fx and one shot motifs call to mind video game sound design and the hyperpop of PC music. Genres aside, Pressure Density reflects an era of bass music dedicated to sound design, where producers like Henzo are bringing creative synthesis to the forefront of their craft.

Inspired by contemporary classical works by Stars of the Lid and William Basinski, Celestial Brass approaches the french horn and flugelhorn as source material for rich sonic tapestries to be interpreted anew. Ambient tone clusters and lush horn harmonies are highlight of the pack, bringing nuanced orchestration to future productions. Solo and one shot material, split into processed and unprocessed renderings for maximum flexibility, are of course featured as well, captured by ribbon and tube mics such as the Royer and Warm Audio WA-67.

Aquaalt is an experimental custom creation from the mind of master instrument inventor Bart Hopkin: A unique Lute with a steel bowl resonator. This handcrafted contraption’s bridge delivers the string vibrations directly to the bowl’s flat bottom. As the strings sound, a small amount of water moves in the bowl, causing ever-changing resonances and creating unusual, dreamy sounds. Made of wood and metal, Aquaalt has a richly acoustic essence that resounds brightly through each note. With the body mounted on a swaying stand, the player can rock the lute to keep the water in the bowl moving. It can be played by plucking or bowing, occasionally with a slide to vary the string pitches.