AudioLove

Frampton Comes Alive!, the seminal 1976 live album by British rock musician Peter Frampton, stands as a landmark in both live music history and guitar playing. Recorded in summer and fall 1975 - primarily in San Francisco and New York - recordings from four shows were used for the release. The talk box guitar effect became strongly associated with Frampton following the album’s huge success. The album showcases Frampton's exceptional musicianship, innovative guitar techniques, and powerful performances.

69 Samples (.wav)

Bass, Bass House, Dubstep, EDM, Experimental, Future Bass, Techno

In this one I have included 4 drum breaks that have been split up in stems for the individual layers. However, there is also an Ableton Live 11 project included in which you can pick apart how the kicks and snares were made using Xfer Serum.

There we go, this months pack is filled with a whole bunch of stuff. Drums, bass, synths, percussion. I decided to throw a whole bunch of things in from projects I never did something with or from sound design sessions I did on or off stream.

As I said in the previous download post (Minimeters Theme) I'm almost done working on the new preset pack for Arturia Pigments which will be released through Black Octopus Sound. I also said that I would get back to regular packs next month but I came across a bunch of percussion samples I recorded a while ago made from an empty Pringles can

About Bitspeek. Bitspeek is a real-time pitch-excited linear prediction codec effect. Right now you are probably thinking, "oh, another one of those"? Or perhaps not. Chances are that you have never heard about "linear prediction", although most of us use it daily when we talk on our cell phones. Linear prediction coding is a voice compression technology that appeared in commercial products in the seventies and was implemented in some well-known speaking toys of the early eighties.

About Echobode. Echobode is a delay effect with a frequency shifter placed inside the feedback loop. The frequency shifter algorithm is inspired by the classic Bode Frequency Shifter (named after its inventor Harald Bode). The difference between a frequency shifter and a pitch shifter is that it shifts the audio spectrum linearly. E.g. an overtone series of 100, 200, 300 Hz can be shifted by 50 Hz to 150, 250, 350 Hz, making the overtones inharmonic.

Permut8 is an effect plug‑in that embraces the sounds of primitive signal processing hardware. At its core is a 12‑bit digital delay with variable sample rate from 0 to 352 khz. The delay is controlled by a programmable processor that allows you to change and modulate the delay time with various "operators". The input and output stages offers virtual analog components for saturation, limiting and filtering. The sound of Permut8 is raw and complex but noisy and warm at the same time.

Introducing "VOLAC Tech House" by Dropgun Samples, an exhilarating sample pack created by the genre-defying DJ duo, VOLAC. Known for their infectious blend of house and tech house, VOLAC has left an indelible mark on the electronic music scene, boasting over 100 million streams across platforms and releases on prestigious labels like Spinnin' Records, Insomniac Records, Musical Freedom, and The Myth of NYX.

High Tea Music is back on Splice with their third release, “High Tea Melodic Jump Up and Future Neuro”. This time, they venture into the futuristic realms of Drum & Bass, stepping away from their signature dancefloor sound.

Rubicon label manager Tristan Arp returns to sound design duties for the first time since last year’s Polymorphic Perc, diving deep into glitched tones and mangled audio. Glitch music has its origins in the 90s, with producers like Oval who experimented with skipping CDs, but its roots can be traced to musique concrète’s mid-century tape music techniques.

One Tremendously Powerful Voice. Synthesizer Expander Module is a free emulation of the classic Oberheim® self‑contained synthesizer module of the same name. Originally released in 1974, the keyboardless, mono module was intended as a companion to the one of the earliest digital sequencers, the Oberheim DS-2. Soon thereafter, Oberheim linked multiple Synthesizer Expander Modules to an early digitally scanned keyboard to create some of the first polyphonic synthesizers, used by legendary artists including Joe Zawinul, Toto's Steve Porcaro, Styx, and Jan Hammer.

Welcome to SOLO by TAQSIM, a new virtual instrument that authentically recreates the sound of modern world music.

Redefine your guitar tone and conquer the mix with Conquer All Volume V Impulse Responses. Expand your tonal palette and add some unique character with these heavy hitters, right at your fingertips!

MAGIC FLOW is the newest Studio DMI plugin in the Acustica Acqua series (VST3/AAX/AU) featuring direction by Josh Guwin. A powerful mixing product carefully designed for a fast audio workflow based on the Josh Gudwin's everyday workflow.