AudioLove

WSTD DL3Y. The sum is greater than the parts. This effect plugin is a combination of our 3Q and. DLAY plugins for some triple band delaying action. Just like 3Q the mid frequency can be adjusted and.

This audio editing software is a full-featured professional audio and music editor for Windows and Mac. It lets you record and edit music, voice and other audio recordings. When editing audio files, you can cut, copy and paste parts of recordings, and then add effects like echo, amplification and noise reduction. WavePad works as a wav or mp3 editor, but it also supports a number of other file formats including vox, gsm, wma, real audio, au, aif, flac, ogg, and more.

MixPad is powerful multi-track music mixing software for audio production. Designed with all the audio studio features you need without the clutter, this program lets you mix multiple audio tracks together quickly and easily. With MixPad multi-track recording and mixing software, you can access all the power of professional recording and mixing equipment through a single platform that streamlines the process and makes mixing a breeze.

A simple and intuitive way to write musical notation, Crescendo allows composers to write, save and print their music compositions on their computer. The wide array of sheet music symbols, time and key signatures, along with a free-form layout, gives a composer optimum control over creating sheet music for their arrangements.

APU TrueGain is an equal-loudness compensated gain control plugin designed to maintain the perceived tonal balance of an audio mix at different listening levels.

The APU Loudness Limiter is a real-time limiter designed to support multiple loudness types simultaneously. The limiter can be configured to use LUFS, True Peak, RMS, and/or Peak loudness types. This allows you to target multiple requirements simultaneously, such as a specific LUFS target and a specific True Peak target. Internally, the ballistics of the limiter are adjusted to accommodate the different loudness type limiter settings.

APU Loudness Contour is a real-time equal-loudness filter that offers precise control over a wide range of perceptual loudness contours, including ISO 226 (2003 & 2023), Fletcher-Munson, K-weighting, A/C-weighting, ECMA-418, and ITU-R 468.

The APU Loudness Compressor is a compressor/expander designed to support modern loudness types (LUFS, True Peak). This means the compression curve is a function of LUFS measurements instead of RMS or Peak. Since LUFS is a more accurate measure of loudness, the result is very transparent compression, making it particularly well suited for mastering and post-production workflows.

The APU Dynamics Optimizer is a dynamics optimization tool designed to support modern loudness types (LUFS, True Peak). Underneath the hood, the optimizer uses the same compression engine as the APU Loudness Compressor, but benefits from the full audio waveform instead of real-time measurements. This allows the gain envelope to be meticulously optimized across the entire waveform.

Expanded Softsynth Plugins for MONTAGE M (ESP) is the software for MONTAGE M Owner. ESP is not sold separately.

A game-changer for recording musicians, the Expanded Softsynth Plugin (ESP) replicates the MONTAGE M in your favorite DAW. Free for all registered MONTAGE M owners, the ESP allows you to create, edit and mix MONTAGE M Performances anywhere you happen to be – without the hardware.

A Near 1:1 Recreation of a Modern Classic. Sage Velvet may be the first plugin to fully capture the nuances of Analog Equipment. Full of detail and nonlinearities, Sage Velvet is a near-perfect recreation of the hardware that inspired it.

Your new secret weapon for legendary mixes. • Hear the iconic Delay, Pitch-Shifting, and Reverb effects used on countless recordings by Prince, Brian Eno, Pink Floyd, Tangerine Dream, and more*.

A multiband sonic enhancer that has the flavor of tape with none of the downsides. Analog tape emulation reimagined. Low-end saturation and plenty of punch.

Harmonics beyond dynamics. Opalize [ˈoʊpəˌlaɪz]. to make something shimmer with shifting colours. When applying saturation or distortion to an audio signal, we often do so to add harmonics - to make basslines more audible on small speakers, add punch to drums, or help synths and instruments cut through the mix. In short: We want to sculpt the harmonic content of our sounds precisely - without introducing obvious, unpleasant distortion.