AudioLove

808s
Claps
Countersnares
Kicks
Perc patterns
Percs
Short Verse VOCALS
Snares
Voxes

808s
Countersnares x Hi Hats
Kicks
Percs
Sample Loopz
Snares
Voxes

FXpansion's Tres is a monosynth Rack Extension for Reason featuring DCAM circuit-modelling technology and advanced TransMod modulation. Tres' complex oscillator timbres are sculpted by filter and VCA sections full of warmth and characterful tone. All important parameters can be modulated with internal LFOs and envelopes or external CV sources to produce fresh and original bass, lead, percussion, drone and FX sounds. Tres comes complete with over 200 presets curated by Nucleus Soundlab.

FXpansion Etch Red: an exciting and great-sounding filtering effect based on DCAM circuit-modelled technology and now available as a Reason Rack Extension.Etch Red features dual filters with 38 available filter responses, realistic audio-rate FM, flexible routing, additional drive & compression stages, and our unique TransMod modulation system with 2 LFOs, envelopes and more.

FXpansion DCAM EnvShaper is a powerful processor for controlling transients in your Reason projects. Ideal on electronic & acoustic drums, percussion loops, bass and guitar, it lets you emphasise or tame transients to increase punch or help parts sit well in a mix.

DCAM ChanComp is a circuit-modelled channel compressor based on a classic FET-based limiting amplifier design, perfect for drums, bass, vocals and all kinds of other signals.

FXpansion DCAM BusComp delivers high-end studio-quality bus compression directly in your Reason environment. Designed for drum and master bus duties, it adds punch, depth and cohesion to your mixes while keeping it sounding smooth and natural.

Silent Way Voice Controller allows you to control your analog synths directly from Reason, in conjunction with a DC-coupled audio interface or an Expert Sleepers hardware module.

ReDominator is an emulation of the classic Alpha Juno 1/2 (JU-1/2), a polyphonic DCO (digitally controlled oscillator) based synth from 1986. The JU-1/2 became popular in the early 90's techno and rave scene particularly by the classic Hoover sound (which ReDominator attempts to emulate accurately). But beyond those niche sounds there lays a versatile synthesizer that does bass, pads, leads, organs and a lot of other sounds waiting to be discovered!

AudioRealism Bass Line 3 (ABL3) is an emulation of a classic pattern based bass machine from 1982. The legendary silver box that is hallmark in electronic music has been recreated in ABL3 using analog modeling techniques to create a DSP-algorithm that accurately emulates every aspect of the original, from growling basses to hollow middles and beeping highs with metal rattling accents. Patterns are composed in a fashion similar to the original using the integrated step sequencer with easy to use manipulation functions such as transpose and randomization.

Over 120 Patches of Prominence. This soundbank was inspired by talented producers like Brooks, Mike Williams, Dynox, Jonth, Justin Mylo and more. We took everything we learned from our previous Future Bounce sample packs and applied it to what we think is our greatest pack yet.

The genre Dark Ambient can be a catch-all term for an entire genre of music that encompasses, ambient, ambient industrial, soundscapes and noisescapes. These are all types of music that when listened too with your eyes closed, can transport you off into another world.

A modular synth is one of the most interesting instruments out there. People who have never worked with one of these in depth, might easily get confused by all the cables and blinking lights.

There's something to be said for mastering the amazing sounds and complex programming of modular synths. In fact, to become a true master, you've got to hone your chops and dedicate beaucoup hours (and cash) building and mastering your rig. All in an effort to be able to punch up that sweet spot instantly.

One Shots are THE way to reinforce your drum tracks. Is your snare not cutting through the mix just right? Does your kick drown in your massive bass or guitars? Do your toms miss that attack to stand out?