AudioLove

MHA “ATMOS” contains 300 samples, including drums, loops, FX, percussions, one shots, arps, atmospheric elements and lots more.

Learn how to make ambient film score music by watching our free live tutorial and study the Logic Pro X Template from the session to practice what you have learned. The Live Electronic Music Tutorials give everyone the opportunity to learn music production at their own pace anytime anywhere. Unlock the secrets of electronic music now.

Are you looking to inject the boom, crunch, crack, and power of the legendary SP1200, 909, 707, 727 808, MPC3000, and friends into your contemporary productions?

This exceptional retro-edged pack was designed to bring home the sound and mojo of these beyond-classic machines ( and more ) alongside the programming and feel of classic house music.

Here is my second kit great for Wave, Ambient, & many genres similar to that.

This contains some of my favorite sounds I use on my projects.

Melody is king in Jazz music, perhaps even more so than in any other style. Students of jazz guitar frequently find themselves overwhelmed by scales, arpeggios and theory, which can be a barrier to getting to the sound and feel of jazz. Having a solid grasp on melodic devices, fretboard layout, and understanding how to navigate jazz harmony is the key to improvising fluidly and truly bringing your jazz solos to life.

The most commonly encountered chord progression across the entire jazz standard songbook is the 2-5-1 in both major and minor keys. The broader your vocabulary of 2-5-1 lines, the more creative you can be with your solos. And once you understand how to craft your own 2-5-1 lines, you can take your improvisational skills to a whole new level.

All of the great jazz guitarists can improvise melodically with single note lines, but they also have great command of improvising melodically with chord voicings to create more harmonic interest and better emphasize the changes.

Sheryl Bailey’s collection of 30 Bebop Chordal Licks will majorly fill out your vocabulary of chord voicings to "hipify" your harmonic sensibilities for any stylistic setting, from bebop to contemporary jazz.

Like any other language, the language of the blues relies on a player’s command of its vocabulary coupled with their ability to express themselves creatively with that vocabulary. Stringing blues licks together and running pentatonic scales up and down over the changes may get you up and running quickly but that’s only the first step of your learning journey as a blues guitarist.

Great jazz rhythm guitar players have command navigating all over the fretboard, have a solid understanding of the harmonic material for the underlying changes, and possess a wide range of tasteful rhythmic approaches -- all of which require a never-ending process of learning, practice and perennial growth.

Guitarists spend most of their time on stage playing rhythm guitar. Our role in most band settings, across virtually every genre, is establishing the groove of the songs we’re playing with the drummer and bass player. This is especially true with American roots music like blues, soul, funk, rock and even jazz.

Upright bassist, recording artist and highly acclaimed jazz singer, Nicki Parrott has released more than 30 records, is a first-call bassist for mainstream jazz players, and a frequent headliner at jazz venues and festivals worldwide. We’re thrilled to welcome Nicki to the family with her first TrueFire course, Upright & Upfront!

This course will cover several technical principles for executing blues style riffs with clarity and control. These topics include string dampening and string manipulation.

Hi, I'm Brad Carlton. Welcome to Guitar Lab: Blues Riffs Vol. 1. This course is designed to equip you with a vocabulary of standard blues riffs. You will be presented with technical tips to assist you in executing these moves, and also the theory behind these note groups. But most importantly, you will learn how to practice creating variations by using rhythmic and melodic principles.

includes:

Delay v2.1.0 - tape/BBD/digital/pitch delay
Plate v1.6.5 - classic plate reverb
Room v1.6.5 - true stereo algorithmic reverb
Shimmer v1.2.5 - pitchshifting reverb
ÜberMod v1.2.5 - mutlitap delay & modulation
VintageVerb v2.2.0 - classic hardware digital reverbs of the 1970s and 1980s.

Field recorders in hand, musicians, producers, and sound artists Krishna Jhaveri and Sanaya Ardeshir (aka Sandunes) spent 30 days traveling through South India to capture the land’s sounds. From South Goa through Karnataka, Kerala, and Tamil Nadu, they drove through farms, plantations, and forests in search of sonic signatures of the remaining wild spaces they could access.