AudioLove

Custom made drum kit created by Cxdy of Internet Money.

GLORY style phaser. Tempo sync sinusoidal modulation of the pahser. The WIDTH knob can be used to open space. The modulation of the right and left channels can also be inverted. This gives an interesting experience phaser. Use the DRY / WET knob to determine the ratio of the wet signal.

GLORY style flanger. Tempo sync or free run the sinusoidal modulation of the flanger. The SYMMETRY knob can be used to dissolve static waves. The modulation of the right and left channels can also be inverted. This gives an interesting three-dimensional flanger. You can use the FEEDBACK knob to control the phase shift. Use the DRY / WET knob to determine the ratio of the wet signal.

VOICE CLEANER
Detail highlight. Self-developed detail enrichment process.
In this way, we can create a detail-rich, well-interpreted sound from dull, faded signs.

PIF Russian kid synth
We love little playful synthesizers, which is why we made one of our favorites. An indispensable musical accessory of Russian kindergartens, this little synth is from the 1980s. We modeled both the original tone and the sound we can hear through the speaker. In this emulation, you can view a small piece of history inside and out. It was available in several colors. While playing, even random can change its color, making the synth more fun. All sounds are oscillator generated, not sample based. No boring repetition .

SIMPLE AUDIO PUMPER
Detail highlight. Self-developed detail enrichment process.
In this way, we can create a detail-rich, well-interpreted sound from dull, faded signs.

The W-77 vst concept
The project started in 2006. After a long break, following encouragement from musicians, we updated the W-77 plugin to 64-bit version. This is when the modification panel was added, with which we expanded the capabilities of the synthesizer. The original is a Wersi Bass synth from 1977. Based on our copy, we created the sound and graphic look of the VST version. This is a vintage sounding MONOPHONE BASS / LEAD synth. It has 3 waveforms, bass guitar emulation, and automatic LFO that can also control the filter. Simple ATTACK / DECAY and auto WAH control was given to the original device.

GLORY style overdrive. Classic digital overdrive with a little refinement. Use the SOFT knob to soften the square signals. This gives an energetic but slightly softer distortion. Use the OUTPUT LEVEL knob to increase the output volume. You can follow the formation of the sound with a spectacular oscilloscope. Use the DRY / WET knob to determine the ratio of the wet signal.

GLORY style delay. Tempo synced or free running is also available. You can color the recurring delays with low, mid, and high cuts. DELAY or AUTO PANORAMA mode can be selected. You can use the PAN WIDTH and FEEDBACK knobs to control the size of the space. Use the DRY / WET knob to determine the ratio of the wet signal.

GLORY style reverb. High, mid and low frequency cutting allows for setting the mood of the space. The mid frequency attenuation can be switched to automatic. The auto cut is controlled by the midi note, so you get a clearer sound, such as during playing leads. With the FEEDBACK control we can adjust the size of our space. Use the DRY / WET knob to determine the ratio of the wet signal.

GLORY style detail highlight. Self-developed detail enrichment process. In this way, we can create a detail-rich, well-interpreted sound from dull, faded signs. Use the SOFT knob to soften the highlight. Use the DRY / WET knob to determine the ratio of the wet signal.

Learn about editing, color correction, audio mixing, compositing, and graphics in one comprehensive training course. We designed this to be the MOTHER of all Resolve Training.

A Small Revolution
Morphine is a powerful Additive Synthesizer with a logical, flexible architecture that allows you to create any sound. You can do this directly by adjusting harmonics manually or by taking any input sample and resynthesizing it into one of 4 independent voices.

Hybrid Synthesis.
Toxic Biohazard features a hybrid synthesis engine, combining the best of FM and Subtractive synthesis. With the addition of a warm, analog-modelled filter and set of built-in effects, the Toxic concept remains one of convenience, simplicity, and superb sound quality.

Meticulous designed filters and envelopes
Sawer pays homage to the envelopes and filters of a rare 1980's Soviet analog synthesizer, Polivoks.

Maxx has devoted meticulous attention to the detail of Sawer's filter and envelope designs, ensuring Sawer delivers a unique sonic character reminiscent of the Polivoks hardware.