AudioLove

Ascent is a sophisticated dual-reverb plugin that combines two powerful algorithms into one fluid interface: a lush, expansive hall reverb and an innovative pitch-shifting particle reverb that creates evolving, granular shimmer effects. Layer spacious, long-decay reverbs with dynamic pitch-shifted textures to craft everything from subtle ambient spaces to dramatic, otherworldly atmospheres.

NEW IN VERSION 2. New User Interface. The user interface has been cleaned up, modernized, and given panels for clarity and to accommodate new controls. Modulation Assignment Reworked.

ekko your sound. Introducing EKKO, a cassette-inspired delay plugin that blends lo-fi charm with unpredictable sonic movement. From warm, saturated echoes to warped, chaotic reflections, EKKO brings a nostalgic texture combined with modern sound design.

Welcome to the Adobe Premiere Pro Mega Course: Complete Video Editing Course form Beginning

If you’ve ever wanted to edit professional-quality videos by using premiere pro to build a career in video production - this is the perfect place to start.

184+ CUSTOM SOUNDS MADE BY BBENO FROM SCRATCH (NOT ONE RECYLCLED SOUND)

FOR DAILY ROYALTY FRDRUMS, LOOPS, FLPS, MIX PRESETS, MIDI KITS AND MUCH MORE JOIN THIS PATREON :)

SEQUND has quickly risen as our flagship product. We've been dreaming about it for a while and the best of our M4L patches are now available for all main DAWs. We have combined our favourite features from our own polyrhythmic sequencers into one single AU/VST plug-in, and then added some more… The result? Quite a unique and powerful tool… (ok we're bragging a bit, but we're really in love with what it does!)

PEACH – Polymetric Arpeggiator. PEACH takes arpeggiation far beyond the classic up/down cycle. Instead of forcing every lane to share the same step length, PEACH lets you set independent lane lengths, turning simple chords into evolving, meter-shifting patterns.

Music connects emotions, tells stories, and expresses what words often cannot. If you love music and dream of creating your own melodies, beats, and songs from the comfort of your home, this course is for you!

Ableton Live is fast, fluid and flexible software music sequencer and digital audio workstation for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features - everything you need to make any kind of music.

The Dream Dimensions Library contains 165 high quality presets and over 100MB of unique content for the beautiful Omnisphere 2.5 synthesizer from Spectrasonics and is suitable for any contemporary electronic and ambient music genres. It includes a well balanced assortment of presets created from scratch and spread out across a diverse category of patches, including arps, basses, leads, pads, plucks, keys, and sequences.

Imagine a playground built from the ground up for music makers who like to punish their listeners and never grow tired of filthy, fat, fxxk off drums. Over 50 instruments in a first-of-its-kind dedicated interface designed for deranged music making and made by the most deranged developer on the block.

Synthogy's Ivory 3 piano engine represents a major leap in virtual piano recreation, offering truly ground-breaking tech and features. Foremost among its innovations is the custom RGB Engine, a powerful and expressive new technology that behaves like modeling, yet exhibits the realism of digital sampling. With additional enhancements such as Continuous Velocity, MIDI 2.0 support, multiple microphones positions, and more, Ivory 3 must be played to be believed.

ENTER THE ATMOSPHERIC WORLD OF INDIE DANCE WITH PULSE
Fresh sounds. Warm vibes. Inspired by the underground masters like Max Styler, Yamagucci, HIGHLITE, OMRI, Tigerblind, Mita Gami, Adam Ten & Rafael.

Prepare to deep-dive into one of the most sonically aggressive productions of the year with Left To Suffer’s “Disappoint Me,” from their 2024 record *Feral*. Known for fusing modern deathcore with nu metal influence, this track balances unstoppable brutality with methodical arrangement precision. It’s a standout not just in the band’s catalog, but across the entire modern metal landscape for its relentless low-end impact, unhinged vocal delivery, and thick, layered guitar production.

In my most recent video, I explored the possibility of generating distortion using a bunch of different devices that were not intend for that purpose. I tested each device by putting a sine wave through it and seeing what waveform got produced. I also tested a few actual distortion pedals (Pro Co RAT, Big Muff, and Boss XT-2 Xtortion). For this sample library, I took those experiments one step further by creating an entire sample library out of those distorted sine waves. What you’ll find is eighteen patches, two for each distortion source.