AudioLove

The Rucker Collective is a library collection by producer, Motif Alumni and family. The eleventh volume "Lost" consists of 12 Royalty Free Samples. Lost files. No stems attached.

The Rucker Collective is a library collection by producer, Motif Alumni and family. The tenth volume "Newton's Law" consists of 12 samples. Without motion, sound ceases to exist.

Utilizing anything that is handed to him, these collections are made with vintage instruments ranging from Rhodes Mark II, ARP Odyssey, Moog keyboards, Crumar Performer, Guitars, Drums, etc. Everything is authentically made to give you that feel like you are pulling a classic gem out of your wall except you don't have to worry about getting it cleared!

Heartsick Vol. 1 gets you 700+ megabytes (uncompressed) of big ballads backed by boom-bap bombast, with a special focus on mid-tempo yearning and soaringly dreamy arpeggios. Heartsick’s yin-yang push-pull between major and minor tonalities is the secret to its bittersweet, mixed-emotion atmosphere, and its contemporary R&B vibe will lift you up into elation just to gently lay you down again. (Sound familiar? Well, happy Valentine’s Day.) Oh, and it turns out that the best way to pull one’s heartstrings is with, well... strings. And you’ll get a lot of both analog- and synthesized-sounding string loops here. Plus pianos and harps and 808s, ya big softie.

Euphoric Apex goes hard, true to the spirit of Ibiza-class Progressive and Big Room House DJs and producers of both yesteryear and today. Glissando supersaw leads and fist-pumping dancehall crescendos lift you waaaaaaay up—only to give way to relentless, sidechained, four-on-the-floor kicks.

Beauty and the East is all about bringing seemingly disparate cultures together through sound. Bionic, vintage drum machine beats are backed up by organic, really vintage far-east wooden percussion. You’ll hear classic Moog-like monophonic synth strings harmonizing with the highly polyphonic 21-string sitar. Beauty and the East is what it sounds like if you were to just drop a whole borough of Jaipur into the heart of Detroit, or if you put the Higashiyama District somewhere on the northside of downtown Atlanta. Your feet will want to strut; your head will want to get lost in faraway lands... and your hips? Well, those are none of our business.

Take a trip to another galaxy far, far away with @iamkarramusic's latest Serum preset pack

Take a trip to another galaxy far, far away with KARRA's latest Serum pack. Exploding with expansive, wobbly qualities, get ready to blast off with spacey arps, fantastical FX, galactic bass, epic leads, phases, pads, and more. These Serum presets are sure to spark your next pop or electronic production.

Granulate is a powerful granular manipulation engine for transforming any audio file into a range of pads, drones, textures and rhythmic sounds. XY Morph Pad.

Dark, Nostalgic, One of a Kind. World Of Tape is the first instalment in our new Artists range of instruments, available as both a Kontakt Instrument and Sample Pack. Featuring unique and contemporary Tape Loops and Textures textures created by New York based experimental music designer, Emiliano Melis, It features a host of Dark, Nostalgic and Cinematic samples which are perfect for modern film scores and music productions.

Bold, moody, and brooding melodics fuse with deep percussion to form Dark Melodic Progressive - a sample pack that values subtlety over grandeur. An ideal collection for producers seeking to expand their dancefloor after hour sonic arsenals.

Calypso is one of the longest-standing genres in the Caribbean. Its festive sound originating in Trinidad and Tobago was made famous by The Mighty Sparrow, whose recordings featured instruments ranging from drums and percussion to horns and synths. The genre is most notably a precursor to soca, and an influencer of many other genres in the Caribbean like kompa, cadence, ska, and reggae. Paradise features 15 melodic loops and 15 drum loops of authentic calypso played by musicians Matthew Smythe and Bendji Allonce, mixed by Andrew Miller. We feature vintage synthesizers to mimic the Mighty Sparrow sound of the '80s, and real horns to bring each loop to life. There's also a gang of drum and melodic one-shots to supplement the loops. Take a trip to paradise!

Percussion Science brings some new, never before sampled percussion instruments curated for today's music maker. These sounds can work in any style and are acoustically special as they have only recently been invented, mixed in with traditional percussion instruments. All recorded, performed, and designed for modern music and beats.

Traktrain is happy to present the "Neon Palm" Lo-Fi Sample Pack with 313 high-quality samples created by an affiliated producer. It contains one-shots and loops of various instruments, including Bass, Drum, Synths, and Vocal, as well as Atmos and effects samples. This kit is perfect for creating Futuristic beats. In addition, its contents will sound great in such genres as Future Trap, Dark Trap, and Boombap as well.

What's up Producers,

Nothing but great feedback on the first release, "The ONYX Collection".

So I decided to dig into the vault/work on something new for you guys to bring you the second installment, "ONYX V2".

Custom made drum kit created by Cxdy of Internet Money.

The field of Sound Studies has changed and developed dramatically over the last two decades involving a vast and dizzying array of work produced by those working in the arts, social sciences and sciences. The study of sound is inherently interdisciplinary and is undertaken both by those who specialize in sound and by others who wish to include sound as an intrinsic and indispensable element in their research. This is the first resource to provide a wide ranging, cross-cultural and interdisciplinary investigation and analysis of the ways in which researchers use a broad range of methodologies in order to pursue their sonic investigations. It brings together 49 specially commissioned chapters that ask a wide range of questions including; how can sound be used in current academic disciplines? Is sound as a methodological tool indispensable for Sound Studies and what can sound artists contribute to the discourse on methodology in Sound Studies? The editors also present 3 original chapters that work as provocative 'sonic methodological interventions' prefacing the 3 sections of the book.