AudioLove

AudioElec is an electrified sound synthesizer. It generates sounds like hum, impulse, sparks and telemetry. AudioElec is a synthesizer dedicated to the emulation of electrical sounds. The synthesizer is based on Le Sound's dynamic modeling technology and uses sampling only for very specific modules. That is, it produces sounds by solving, on the fly, mathematical equations modeling the different components of electrified sound approximations developed by AudioGaming.

R2 introduces a lush, colourful stereo reverb algorithm to Exponential Audio's familiar design. Use the chorus and gate effects to colour and shape your reverb signal to suit any music project. From swirling orchestral chambers to minimal, clean room reflections, R2 is your go-to plug-in for designing completely unique, musical spaces.

Bring new life and personality to your multichannel mixes with R2 Surround. This character-filled reverb is built to meet the demands of any surround music or post-production project, no matter how complex. Use the 3D Link expansion feature to connect multiple instances of R2 Surround for control over your entire multichannel mix, choose from eight early reflection patterns, then add shimmering modulation to your reverb tail for added depth and motion.

PhoenixVerb brings clear, lifelike dimension to your mixes. Whether crafting spaces from scratch or using one of over 900 presets, it’s never been easier to create natural, authentic depth for your music.

PhoenixVerb Surround delivers the signature transparent reflections of PhoenixVerb, now with multichannel support up to 7.1. From mixing dialogue and music to placing foley and sound effects, PhoenixVerb Surround's comprehensive interface and advanced surround controls make it the perfect tool for any audio post job.

C-78 is a new transparent Compressor and Limiter. it does a great job at controlling and smoothing everything out…. Broadcast quality Limiter. It was difficult to design a simple transparent compressor but here it is.

The Level Control is an advanced mix monitoring plug-in with a volume control, selection channels (stereo | Left | Right), DIM and level metering. RMS-based scales with an integrated sample peak meters,

Authentic Tube-Sound! Gistortion is a unique bass/guitar effect. It will add colour and flavour to your guitar and bass. It will also enhance the place of your guitar and bass in your mixes.

Tube EQ has a reputation for a warm sound produced by the introduction of even-order- harmonic distortion. Even-and odd-order harmonics are related to the overtone series that gives instruments their particular timbre. FDN series can emulate several types of guitar amplifiers and shape the overdrive sound.

Even harmonics are some number of octaves above the original note. Examples (for A at 440 Hz)2nd harmonic: 880 Hz - up one octave 4th harmonic: 1760 Hz - up two octaves The 3rd odd harmonic is an octave plus a fifth above the fundamental.3rd harmonic: 1320 Hz - E above the A at 880 Hz.

DelFeed, a real old school solid-state analog delay* effect like ping-pong delay, slap-back echo…. Analog delay plugin. Up to 2000 ms delay time. Infinite feedback.

The H.L.S Drive plug-in amazingly emulates the rich-sounding Tube saturation behaviors that keep radical EQ moves sounding ultra-musical, even at extreme settings. It is based closely on the Type 69 EQ which is very musical. Add character and clean up a mix with H.L.S Drive.

Even- order harmonics produce smooth, musical characteristics as opposed to odd- order harmonics, which tend to sound harsh. FD1/2/3N ' tend to introduce some degree of even-order harmonic distortion that produces a “warming” effect by thickening the overtones of the original signal.

Smoothness and transparency. BeComp is a dynamics processor that will change the way you use and think about compressors and compression. The inherently rich and colorful tone of the BeComp helps glue tracks together. The BeComp is the thickest and heavy sounding compressor/limiters. it's also quite handy for pumping up individual tracks. It comes in mono, mono -to- stereo and stereo versions.

The B-Comp is a stereo compressor. it was originally designed after testing diode bridge compressors. The Vintage/Modern options vary the attack and release characteristics of the processor and will vary the 'colour' of the output. Switch between them to hear the difference and select what works for you. This switch has more to do with 'colour' or 'feel' of the sound