AudioLove

We are a part of the rhythm nation An awesome selection of hihats, cymbals, kicks, toms, snares and hybrid percussive beats, loops and percussive FX. Like the 1989 pop hit once proclaimed, “We are a part of the rhythm nation,” and we couldn’t agree more. Janet (or Ms. Jackson if you're nasty) was right in her assessment and we want to support her idealism with an incredible product dedicated to exactly that: the rhythm. Rhythm is definitely useful in making people dance and of course making dance music itself, just as it’s always been.

Guitar Loops by Luar - Vol. 1 [THE BASICS] is my first ever Loop Pack that features a variety of loops and samples that are 100% entirely composed by Luar

Taking studios by storm is Raw Deep Tech straight out of the Soundbox stables. This amazing selection of loops and samples comes jam packed with the very latest deep-pumping grooves, solid kicks, subbed-out bass, hook-ready synths and section-defining FX and vocals to make your next track pound on the dance-floors and radio-waves.

In this detailed course, seasoned audio guru Mark Edward Lewis guides you through every aspect of sound that you'll ever need to know as a filmmaker. Recording, dialogue, sound effects, foley, ADR, mixing, fixing - it's all here for you to master in the most comprehensive audio-for-film series ever created.

This kit includes 48 808s.

EQ1A is a super smooth, analog style equalizer, with minimal phase coloration. It features a high pass filter with variable Q, frequency sweepable low and high shelf filters, and sweepable low and high peak filters with variable Q. A bypass switch is available for each filter section for increased flexibility.

LM1V is an analogue modelled brickwall limiter, with 8x oversampling, and inter-sample peak detection. It is able to achieve high loudness levels with the minimum of distortion. Results are always extremely musical.

IR1A Convolver is a convolution plugin that let you apply the sonic characteristics of one sound to another in real time, using an impulse response file.

The EQ3V is a flexible 7-band vintage equalizer plug-in that offers 5 bands of fully parametric EQ, variable Q High Pass/Low Pass filters, and it's own unique analogue modelled saturation. Perfect for mix or tracking duties where character and precision is key.

The EQ2V is a vintage styled equalizer that recreates the weight and colour of its classic hardware counterparts. Harmonic coloration increases with input and eq gain, adding depth and warmth to any material.

CS1V brings the warmth and depth of an analogue console to your tracks and mixes. Drive increases the level of saturation. Tone adjusts pre-amp character; darker and heavier in the low range anti-clockwise, and progressively brighter high end harmonic boost clockwise. There are two selectable preamp modes: A is darker in character overall, while B has a flatter frequency response.

CP1A is an audio dynamics compressor plug-in, developed for clean, low distortion processing of a range of material; from subtle dynamics taming to creative drum shaping. It employs a multi-stage feed forward design to minimise distortion artefacts, even at extreme compression settings. The interface design is clean and functional.

Auto time adjuster is a plugin delay compensation (PDC) plugin, originally designed for use in Pro Tools LE 7 & 8 (RTAS), as they lacked built-in PDC. ATA continues to be a useful tool with newer versions of Pro Tools (9+/AAX) that include PDC, as users can benefit from the large latency limit (50,000 samples), and the increased accuracy of measuring plugin latency directly (including outboard), rather than relying on the values reported by plugins.

SATV is an analogue modeled saturation plug-in that adds harmonic depth and richness to any track. Equally suited to individual instruments or multi-track drum kits, SATV allows you to effortlessly change the harmonic content and dynamics of your whole mix.

The CP3V is an audio dynamics compressor plug-in, inspired in part by the classic 1176 analogue compressor. The analogue modelled saturation and compression stages combine to add progressively more warmth to the compressed signal at higher levels, while never sounding harsh.