AudioLove

Cinematic Music II is an educational tool box that continues where CM1 left off, filled with a wide variety of resources on how to level up your cinematic writing, and achieve a more professional sound.

Flexible and tweakable. Classic drum synthesis is back with a vengeance! Flexible and tweakable - Heartbeat is your source for familiar, yet unique, drum machine sounds.

Modular synthesizers are a way of life. The sense of endless possibility, of open-ended adventure, is captivating. Addictive even. And nothing else can produce the sonic extremes of which a modular system is capable. Patch four or five modules together in a new way and you just might hear something no human ear has ever heard before.

It's time to take control of time itself, with the Doepfer A-188-1 Bucket Brigade Device for Softube Modular. Our officially licensed software version of the BBD module represented a new challenge in terms of component by component analog modeling, and the results were worth the effort.

Ever since the low pass gate was invented by Don Buchla for his 200 series instruments in the early 1970s, low pass gates have been heralded for their ability to add a lifelike and organic response to modular synth patches. They work by applying an envelope to a low pass filter with its 0-voltage cutoff frequency way below audible range, so when the envelope is down, the 'gate' is closed. As a note decays, its high frequencies die soonest – just like most acoustic sounds.

For cinematic scoring, for expressive, intelligent, modern electronic music, for video game and theatrical soundscaping... a one-off synth can create a one-off mood. How often have you looked at your everyday workhorse synth with its million billion options, and thought, "nothing here sounds quite right!"?

Mastering compression, limiting, and de-essing without compromise. Every mastering engineer's fondest dream is about to come true. Our plug-in is a line-by-line code port of the legendary Weiss DS1-MK3 mastering processor - the unit no serious mastering engineer can do without.

The name Weiss is synonymous with quality in mastering, and a truly exceptional compressor/limiter is essential to any serious mastering engineer. The Weiss DS1-MK3 is the gold-standard for the world's greatest mastering gurus, and for the Weiss Compressor/Limiter, we draw on its essence (and code-base) to bring a totally focused modern answer to the question 'how should I deal with dynamics on my mix bus?'.

Whether you're trying to tame sibilance in a lead vocal, rein in a sharp-sounding hi-hat, or reduce harshness while mastering, a truly great de-esser is as elusive as it is essential. Enter the Weiss Deess, available as an individual plug-in or as part of the Weiss DS1-MK3 collection.

Eli Krantzberg presents comprehensive Eventide H9 Plug-In Bundle Series video tutorials! Discover the vast and powerful lineup of amazing reverb, delay and modulation effects that are packed into this creative bundle of processors, including how to use them on your tracks and productions. You also get the audio files Eli uses in the videos so you can follow along with the videos and practice using the effects. These videos are for new Eventide H9 Plug-In Bundle Series users.

Modern Bass. Mix-ready Bass. Monoment Bass. In the modern day, music production leans more heavily on bass than ever before. Although track counts can number a hundred or more, often the core of a song is built around little more than a beat, a vocal, and a rich, living bass sound.

Statement Lead instrument is a five-octave polyphonic synth plug-in for lead sounds with 90 waveforms recorded from a variety of rare, expensive hardware synths and built-in Softube effects to give you precise control over your sound.

The Saturation Knob is a modeled output distortion that can be used anywhere you need some grit. Use it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.

Loudness done right. Based on the legendary Weiss DS1-MK3, the centerpiece of mastering studios the world over (and also now available as a Softube plug-in), we're delighted to offer the future of fast and professional mix maximizing - the MM-1 Mastering Maximizer.

To present a unique take on a familiar sound, we worked with vibraphonist Alexander Gagatsis to distill the intimate velvet tones found at the softest of dynamics of his vibraphone. To expand on the main instrument patch that includes 'true tremelo' control, Alex performed arpeggios and swells, as well as a technique of using the stick end of the beater. Combined with the 'Seven Days Kontakt engine' that stacks reverb and delays, it's easy to create ethereal soundscapes or loop-like experiments, and explore a whole new take on the sound of the vibraphone.