AudioLove

The idea behind the sounds is one of dusty, mechanical, hyperreal atmospherics. Glimpses into little worlds that may or may not exist. Using a combination of atmospheric field recordings, granular synthesis, experimental reverberation and layered samples to create deep, emotive atmospheres, this sample library contains a powerful palette of sonic textures.

Suitable for producers within the Minimal House and Techno genres, this pack offers interesting Minimal Drum Hits. Influenced by the current House and Techno scene you can expect to find unique sounds.

Weismann rocket into space with Atmospheres - Textures: purely electronic texture loops brimming with analogue and digital goodness, tasty ultra vivid colourings and animate motion.

909 Drum Hits serves up over 290 drum samples from the classic TR-909 drum machine... If you can't get a hold of a real 909 then this is as close as you can get in samples...

Audio Culture presents House & Techno FX: a versatile and timeless collection of skilfully crafted Sound Effects. Texture & Backgrounds, Up and Down Shifters, Sweeps, Sci Fi, Reverse, Impacts and much more. You can use the sounds to create your whole breakdown or use them to create a texture. Over 500mb of hi quality sounds straight out of our studios.

158 x Jackin', Swingin', Raw, and Groovy House & Garage top loops. Get straight into your drum programming by just adding your favourite kick sample and inject your latest track with a shot of proper house & garage groove. Tempo-synced at 124bpm and 125bpm, these kick free loops are ideal for UK Garage, House, Deep House or even Dub & Minimal House productions.

'Vocals Only 4' provides you with Royalty-Free vocals for your new tracks. Audentity Records selected their best vocal acapellas from selected packs to use in your upcoming productions.

Cinematic Music II is an educational tool box that continues where CM1 left off, filled with a wide variety of resources on how to level up your cinematic writing, and achieve a more professional sound.

Flexible and tweakable. Classic drum synthesis is back with a vengeance! Flexible and tweakable - Heartbeat is your source for familiar, yet unique, drum machine sounds.

Modular synthesizers are a way of life. The sense of endless possibility, of open-ended adventure, is captivating. Addictive even. And nothing else can produce the sonic extremes of which a modular system is capable. Patch four or five modules together in a new way and you just might hear something no human ear has ever heard before.

It's time to take control of time itself, with the Doepfer A-188-1 Bucket Brigade Device for Softube Modular. Our officially licensed software version of the BBD module represented a new challenge in terms of component by component analog modeling, and the results were worth the effort.

Ever since the low pass gate was invented by Don Buchla for his 200 series instruments in the early 1970s, low pass gates have been heralded for their ability to add a lifelike and organic response to modular synth patches. They work by applying an envelope to a low pass filter with its 0-voltage cutoff frequency way below audible range, so when the envelope is down, the 'gate' is closed. As a note decays, its high frequencies die soonest – just like most acoustic sounds.

For cinematic scoring, for expressive, intelligent, modern electronic music, for video game and theatrical soundscaping... a one-off synth can create a one-off mood. How often have you looked at your everyday workhorse synth with its million billion options, and thought, "nothing here sounds quite right!"?

Mastering compression, limiting, and de-essing without compromise. Every mastering engineer's fondest dream is about to come true. Our plug-in is a line-by-line code port of the legendary Weiss DS1-MK3 mastering processor - the unit no serious mastering engineer can do without.

The name Weiss is synonymous with quality in mastering, and a truly exceptional compressor/limiter is essential to any serious mastering engineer. The Weiss DS1-MK3 is the gold-standard for the world's greatest mastering gurus, and for the Weiss Compressor/Limiter, we draw on its essence (and code-base) to bring a totally focused modern answer to the question 'how should I deal with dynamics on my mix bus?'.