AudioLove

A deconstructed Ableton Remake version of Return to Oz, a great hit song by Monolink, the Remix version by ARTBAT. And released by Embassy One Records. A track with a lot to learn about Transitions, Drums, Arps, Strings, Sub Basses, Synth Sounds, Song Structure, Vocals, and many more of modern Melodic House Music Production Elements.

A deconstructed Ableton Remake version of another great hit song by Boris Brejcha featuring Laura Korinth and released by ULTRA records, named Gravity. A track with a lot to learn about Sub and Mid Bass, Build-ups, Drops, Leads, Song Structure, and many more of modern Progressive House Music Production Elements.

A deconstructed Ableton Remake version of Space Motion´s Epic a great song and template to learn what you need, about Progressive House, and EDM music production elements such as Sub Bass, Synth Plucs, Drum Samples, Layers and much more.

"Magnitude" brings you a driving blend of tight drums, pulsating bassline, melodic lead, loads of synths, arpeggios and moody effects. This is a perfect template for producers looking to make Melodic Techno in Ableton Live.

Combining snappy drums, driving bassline, acid licks and arpeggiated lead, “Timeless” is a must-have template for producers looking to make Melodic Techno in Ableton Live. Massively inspired by the sounds of Artbat, this template will give you a solid starting point for your productions.

Totally inspired by CamelPhat, “Let Me Fall” brings you a blend of pulsating bassline, tight drums, female vocals, and hypnotic lead arpeggio. Whether you produce Tech House or Melodic Techno, you will get a lot of inspiring ideas and a solid starting point for your productions.

“Atlantis” is a moody Techno that features punchy, yet smooth drums, droning bass, plucky synths and distorted lead. This Ableton template is a perfect starting point for your Melodic Techno tracks.

Taking inspiration from the sounds of ARTBAT, this Ableton template perfectly captures their signature sound and gives you a solid starting point for your Melodic Techno productions. It features tight drums, pulsating bassline, shimmering arpeggio, atmospheric pads and growling bass drones.

A deconstructed Ableton Remake version of Never look back, another great hit song by Boris Brejcha, released by ULTRA records. A track with a lot to learn about Sub and Mid Bass, Build-ups, Synths Drops, Leads, Song Structure, and many more of modern Progressive House Music Production Elements.

A deconstructed Ableton Remake version of one of ARTBAT´s greatest songs so far, Upperground. A great song to learn about Techno music production, transitions, and also elements such as Sub Bass, Pad Synths, Drum Samples, Automations, Layers and much more.

A deconstructed Ableton Remake version of Mystery, originally by Adriatique, and Remixed by Tale of us & Mathame. And released by Afterlife Records. A track with a lot to learn about Transitions, Drums, Beatmaking, Sub Basses, Lead Synths, Song Structure, Vocals, and many more of modern Techno Music Production Elements.

A deconstructed Ableton Remake version of Best of me, a great hit song by ARTBAT featuring Sailor & I. And released by METAPHYSICAL records. A track with a lot to learn about Transitions, Drums, Beatmaking, Sub Basses, Lead Synths, Song Structure, Vocals, and many more of modern Melodic House Music Production Elements.

A deconstructed Ableton Remake version of Khazad Dum, by Colyn, and released by Oddity Records. A track with a lot to learn about Transitions, Drums, Beatmaking, Sub Basses, Lead Synths, Song Structure, Vocals, and many more of modern Techno Music Production Elements.

A deconstructed Ableton Remake version of ARTBAT´s Atlas, from the Upperground EP released by Diynamic. A great song to learn a lot about Techno music production, transitions, automations, and also elements such as Sub Bass, Pad Synths, Drum Samples, Automations, Layers and much more.

The Faust programming language provides a generic way to implement signal processing algorithms for sound synthesis and processing towards professional audio applications. Thanks to its architecture system, Faust can be used to generate a wide range of ready-to-use elements such as audio plug-ins (e.g., VST, AU, etc.), externals for other computer music environments (e.g., ChucK, Max/MSP, PD, CSOUND, SuperCollider, etc.), standalone applications, mobile apps, web apps, etc. Additionally, it is a great tool to make DSP engines embeddable in larger projects.