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The Prophet ’08 Synthesizer Module is a tabletop “knobby” module with all of the features and controls of the Prophet ’08 Keyboard (minus the keyboard, of course) in an even more compact enclosure. With real analog oscillators, famed Curtis low-pass filters, and analog VCAs, the Prophet ’08 is capable of reproducing the familiar sounds of its legendary predecessors. But modern features like a greatly expanded modulation matrix and additional modulation sources—including three envelopes and four LFOs per voice—take it way beyond vintage gear and make it a worthy and unique addition to the Prophet family tree.

MusicTech is the magazine for producers, engineers and recording musicians. Every issue is packed with hands-on features written by professional producers and engineers. There are software workshops for every major DAW, interviews with top named producers, artists and engineers, plus reviews of the latest studio hardware and software. With a DVD packed with samples, tutorial videos and software, MusicTech is the ultimate package for today’s studio user

A1 10, 10, 10, 10
A2 10, 9, 9, 9, 9
A3 10, 9, 8, 8, 8, 8
A4 10, 9, 8, 7, 7, 7, 7
A5 10, 9, 8, 7, 6, 6, 6, 6
A6 10, 9, 8, 7, 6, 5, 5, 5, 5
A7 10, 9, 8, 7, 6, 5, 4, 4, 4, 4
A8 10, 9, 8, 7, 6, 5, 4, 3, 3, 3, 3
A9 10, 9, 8, 7, 6, 5, 4, 3, 2, 2, 2, 2
A10 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, 1, 1, 1
A11 The Top Ten Countdown
A12 Let's All Listen To The Song That's Number 1
A13 Sweet, Sweet, Sweet - Soul Music
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Soul Trilogy Collection is Kontakt libraries packed with the sounds you need to take your production to another level. Powered by the Kontakt 5 engine. Covers all instrument categories that are sure to make your beats have that Neo Soul, Hip-Hop & Trap sound.

Arturia has announced its latest software synthesizer Pigments, a hybrid “polychrome” instrument that features hugely powerful, cutting-edge wavetable synthesis alongside Arturia’s award-winning virtual analog technology.

A series of videos delving into the reasons behind Western music harmony - why we have keys, why are there major and minor keys, why there are only twelve of each, why we have scales, why do we have seven notes in the major or minor scale, why is there more than one type of minor scale, why do some notes go better together than others, why do some chords go better together than others, why rhythm works . . .. and much more.

Omnisphere "Arkham" is a collection of 300 signature patches for Spectrasonics's Omnisphere 2.6 synth. You need to have version 2.6 to fully take advantage of the additional layers.

Dark, distorted and full of character, these sounds are best suited to be used in TV/Film drama/sci-fi/horror productions.

Wurlitzer-V is Arturia’s amazingly accurate physical model of the classic Wurlitzer 200A electric piano. The Wurli 200A piano had a sound that could go from mellow and soft to hard and brash. This harder sound is what made it so popular in rock music as it could cut through a mix like a knife.

VOX Continental-V brings back the classic sound of the famous VOX Continental 300 through our TAE® physical modeling technology.

The transistor circuitry and drawbars behind this classic organ put it in the forefront on some of the biggest songs by the greatest bands of the ‘60s, ‘70s, ‘80s and beyond. VOX Continental V provides instant access to these hit-making sounds and much more.

The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet —completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps.

We’re keeping the love alive with Solina V, our physical model of the classic Arp/Eminent Solina string machine.

Before polyphonic synthesizers, there were the string machines. The Solina, made originally by Eminent and rebranded for Arp, defined a class of sounds that are still as in demand today as ever. The Solina was probably heard on more albums in the 1970's and 80s than any other single keyboard.

Rhythmic Odyssey is a flexible and highly-customizable loop-based virtual percussion instrument for Kontakt Player and a huge open-format modular loop library for use with any software or hardware you wish. This deep and stylistically expansive collection focuses on dynamic live tuned and untuned percussion performances by British instrumentalist and media composer David Oliver.

Rattletines is a set of unique hand-crafted tuned percussion instruments created by instrument designer and sound sculptor Bart Hopkin. These one-of-a-kind instruments each produce their own special flavor of rattle or buzz, with every note having its own warmly resonant flavor. Rattletine includes two rows of tines. The upper tines hammer against “anvils” as they vibrate. The lower row is clean, for a clearer tone quality. Mahogany and Hacksaw Blades both feature tongues with holes and small pieces of metal wrapped through. When plucked, the metal wrappings rattle as the tongue vibrates, producing a unique buzzing sound. Aptly named, Hacksaw Blades uses actual hacksaw blades for the tongues.

Tines & Echoes is a unique hand-crafted tuned percussion instrument created by instrument designer and sound sculptor Bart Hopkin. It's a pentagonal sound box with 25 chromatically-tuned metal tines that each have a pair of sympathetic strings spanning the instrument's sound board. Rather than tuning the sympathetic strings to their primary tines, they are tuned randomly, so that vibrations resonate different string combinations bound to other tines. When the tines are plucked, they produce a sharp, crisp water-drop note that reverberates through the sympathetic strings and across the instrument in a soft ghostly ring, reminiscent of the celestial wash you hear when playing the undamped top octave of a piano.

A giant has come back to life. Oberheim's legendary SEM - Synthesizer Expander Module - is back for the first time as a high-end software emulation powered by Arturia's exclusive TAE® technology.

The SEM module was originally made to compliment other synthesizers but later came into its own as a great sounding synth. The unique filter that allowed continuously variable operation from low pass to high pass gave it a sound that no other had. When multiple SEM's were connected into a 4 or 8 voice polyphonic system, it became a thing of beauty.