AudioLove

This is it. If you want to learn some of the coolest tips and tricks for Propellerhead’s Reason, look no further. Reason guru Paul Ortiz reveals some of his favorite production nuggets that are sure to open your eyes and your mind when producing with Reason.

Have old electronic music songs that you’ve never finished and are now a little dated sounding? Producer pro Chris Herrera delivers a video series designed to help you take stock of your old songs and productions, and discover ways to make them up to date and relevant again.

FL Studio is a powerful DAW that is loaded with useful, customizable features that many producers can take advantage of. One of which is the ability to design your own custom plugins through Image-Line’s Patcher – a stock plugin that comes with FL Studio.

Additive vs. Subtractive EQing has been a long-standing debate amongst many producers and engineers. In this video, Maxim will explain how each of them serve a different purpose and why neither of them are superior over the other.

The Rock Foundry SDX was recorded at Bob Rock’s choice studio The Warehouse in Vancouver, BC, and designed to give you the most flexible selection of drums, ambiences and options possible. It’s configured as two individual SDXs, one ‘Main’ and one ‘Mono.’ The ‘Main’ features six kits captured with a traditional multiple microphone technology whereas the ‘Mono’ configuration was recorded using a minimal setup. In addition to the seven individual kits, a large selection of extra snares, kicks and cymbals are provided, making The Rock Foundry SDX an incredibly broad palette of raw material to use to craft drum mixes within the powerful framework of Superior Drummer 3.

As many of us know, the volume of the track is very important in the music industry. The track that sounds louder will always be more noticeable on the background of those tracks that sound quieter. Therefore mastering is the most important element in the final processing and releasing on the label. We have developed the best mastering template for you to get high RMS-output, which you can use for many genres: Trance, Progressive, EDM, House, Pop, Trap. You can make any changes, customize it for yourself or use this template with our settings, getting an excellent result.

Ultra Pop Elements Vol 1 from Maverick Samples includes five Construction Kits containing everything you need to build hot Pop hits, including leads, percussion and FX, all 100% Royalty-Free.

A lot of the time, a good melody can’t shine without the proper sound. The melody might be great, but sometimes the lead just won’t sit right. To help you overcome this barrier we created one of our best collections of leads called Elements for Serum.

In this tutorial, Jake walks through five helpful MIDI tricks within Logic Pro X. While each DAW has their own MIDI tricks, Logic Pro X has its own crazy secrets.

Jake Shanahan covers an extremely important topic in this tutorial. Logic Pro’s ‘Flex Mode’ is crucial to your vocal tuning, timing, and overall perfecting. While it’s still a somewhat new feature inside Logic, it’s become one of the most popular features.

Repro-5 Pro Expansion is the must have expansion pack to take U-he Repro-5 to the next level. 76 inspiring new presets deliver everything from beautiful vintage keys and brassy synths, to ominous distorted pads, punchy basses, and massive unison supersaw leads.

Ever wished your music sounded more moist? Ever been listening to a foley-based, glitch artist and thought to yourself “HOW IN THE FLYING FUCK DO THEY GET THIS SHIT SO WET!? THIS GUY MUST BE A SYNTHESIS GOD!”

Let’s be real. There are samples of chains in this pack. I don’t know what kinda sport you play, but over here, I’m playing CHAIN BALL!!

Ever wished your music sounded more like a camera or a hose rack? No… of course you haven’t, that’d be a fucking stupid thing to sound like. *googles camera music* – oh, of course someone’s done that. Well, he shoulda just used this sample pack lol, dummy… Maybe he can retroactively make sense of this mess by buying this sample pack.

Ever thought your music sounded a bit too human? Yeah, you were probably using my organic drums pack & using the groove pool in Live & shit…dummy.

Anyway, you probably need some machinery in your music if you want it to sound like a fuggn transformer shopping his ass out to the Tin Man from Wizard Of Oz at Church’s Chicken