AudioLove

HoRNet ElliptiQ is an elliptic equalizer, this kind of tool is a very special case of equalizer that has its root in the vinyl cutting era.

The simsimiyya is a traditional plucked lyre played in Egypt, Jordan, and Yemen. It is mostly used by Bedouins as a social instrument. In Egypt it is traditionally used to accompany a dance called bambutiyya.

Includes all the master chains I use. 3rd Party Plugins are included, but there are also presets using default plugins. Works with FL Studio Only. It also includes a text document which talks about my process as far as mastering. STRAIGHT SAUCE!!

As well as a re-designed GUI, created by Paul Lebküchner of Sound Aesthetics Sampling, the sample sets have been tweaked, start points adjusted and some of the more wayward samples tuned to produce a more polished sounding instrument.

Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.

50 custom made midi patterns created by Jo L’Z of Internet Money.

This midi kit was inspired by young thug, bryson tiller & ugly god. Has some of the best chords out.

Contains- 50 Chord Midi Files

A fully customized soundset inspired by the album Drip Harder by Gunna.

Introducing London Boyd - 1920's Upright, a new upright piano library from Sonixinema. This charming piano adorned the halls of some of London's finest establishments for the best part of a century.

The Classic Analog Rhythm Machine

The CR-78 is the god of rhythm boxes, and has been used by everyone from Phil Collins to Blondie, Jimmy Edgar to Todd Terje, (and too many 90s Techno tracks to count). Metallic percussion, warm analog kicks, crisp 808-ish snares, and some of the smoothest hi hats of all time.

The 200a is a classic piano in every sense of the word. The Purgatory Creek Soundware Reed EPs 200a was deeply sampled at eight velocity levels recorded for the full duration.

An authentic recreation of this wonderful, vintage keyboard from the 1960s. The Purgatory Creek Soundware Reed EP 140b provides ten sustain velocity layers and an additional seven release sample layers.

An authentic recreation of this most sought-after classic electro-mechanical piano. The Purgatory Creek Soundware Mark I (1975) was deeply sampled at 19 velocity levels recorded for the full duration.

The Sparkletop (Silvertop) model from the 1960s defines vintage keyboards. The Purgatory Creek Soundware Sparkletop was deeply sampled at 18 velocity levels recorded for the full duration.

Manufactured in the 1960s, this was the first commercial version by the famous tine-based piano manufacturer. Unique to the Sparkletop series are the traditional felt hammers (vs. neoprene tips on later models) and the Raymac tines. It is featured on many jazz and R&B recordings from the late 1960s.

A wonderful recreation of this classic, funk keyboard. Each of the four pickups for both the C was sampled at a minimum of eight velocity levels for full duration. The Clavinet C was made famous by Stevie Wonder’s recording of Superstition and was the predecessor to the more common D6 and E7.