AudioLove

One-click voice track editing plug-in for speech and singing. Designed for music producers, podcasters, youtubers, audio books and voice-over artist, video makers and broadcasters.

Simulate the devices and environment of your audience to make your mix exceptional for everyone. WHAT'S NEW IN MIXCHECKER PRO? Everything! Even though the interface has the same elegance and ease of use as the original MixChecker.

THE AWARD WINNING PLUG-IN SUITE BY HOWARD BENSON & MIKE PLOTNIKOFF - is an all-in-one guitar suite plugin developed exclusively from none other than Grammy Nominated Producer Howard Benson and Mike Plotnikoff's signature guitar sounds.

STL Tonality is an all-in-one Guitar Plug-in Suite developed exclusively from none other than Will Putney's Signature Guitar sounds. We've spent the last year developing this plug-in alongside Putney to recreate the power and quality of Will's production work, and we are all extremely proud of the result.

STL Tonality is an all-in-one Guitar Plug-In Suite developed exclusively from Andy James's Signature Guitar sounds. Using the most advanced modelling algorithms, users can experience real-time simulations of Andy James's actual go-to amps. Our software uses internal circuit simulations from the schematic's of the specific amplifier's Andy uses every day.

Libra out now! The worlds first Impulse Response Mixer that allows users to visually mix up to 8 Impulse Responses at the same time. MAIN FEATURES. • Zero Latency.

FLO$$ is a new sample pack originally produced by SHOBEATS that brings you 5 high-quality construction kits, with banging 808s, clean sounds, tuned electronic sounds & hard-hitting drums, to boost your productions to the heart of the trap sound. SHOBEATS carefully crafted the sounds you need to achieve this sought-after sound in the style of Lil Skies, Juice WRLD, DRAKE, Lil Uzi Vert, XXXTentacion, Future, Young Thug, Travis Scott, Tory Lanez, TM88, Metro Boomin' and more.

Textural Percussion Vol. 2 by Prism House is a collection of 80 percussive field recordings captured at various locations in New York City. The sounds were recorded by banging on various objects and everyday materials to create unique and textured percussive hits and ambient/foley FX. Every sound was recorded using the Zoom H2N recorder set to Mid-Side to create a true stereo image of the audio. This pack is especially useful for adding an organic flavor to your tracks or layering overtop classic drum machine sounds or basic percussion elements.

PACK SUMMARY MIDI AND PRESETS INCLUDED

12 808S
6 CLAPS
4 OPEN HATS
11 CLOSED HATS
5 KICKS
5 PERCS
5 SNARES
12 MIXING PRESETS

High Quality Lil Mister's Kit.

16 x 808s / 10 x Claps / 22 x Hats / 7 x Kicks
Over 50 Mixer Presets for FL Studio / 26 x Percs / 14 x Snares

Energetic, rhythmic and creative drum track that feature marching band percussive instruments. Perfect for advertising, corporate identity, sports videos, commercials, action scenes, dynamic videos, vlogs and many more.

Learn to use your audio skills to start getting gigs as a Reality TV sound mixer. Plus, get a bonus download from our guest mixer, Blair Halver. During this episode, you'll learn how to use a boom correctly, how to use lavs and field mixers correctly. Blair covers on location gear signal flow, a few different gear setups, and some details about camera use. You'll also learn about the reality sound industry, including where to find this type of gig, and how to get the gig.

Predator 2 is the successor of a legendary synthesizer that has inspired many artists/composers and appears on countless music tracks! As before it combines inspiring presets and cutting edge features to make this your ‘go-to’ synth for contemporary music production. The user interface has again been designed so that almost all main controls are visible on screen, making it fun and incredibly easy-to-use.

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.