AudioLove

The new BigTone 2 expansion pack is here! Expect the unexpected with this gem of sound design: Very deep modulations, complex and organic sounds await you. Enjoy recreations of natural instrumens like wonderful flutes or synthetic guitars, deep techy basslines, airy pads, booming synthetic drums and inspiring arps & sequences. This xp suits for all genres but has its main focus on deep housy and techno / edm styles. Like vol. 1 this is like a journey through all of Avengers possibilities in shaping and modulating sounds, which will leave you speechless. Should be in every collection!

Learn advanced techniques in Sibelius Ultimate, the powerful and flexible music notation software used around the world by music professionals, educators, and hobbyists. In a course designed for Sibelius users who are ready to take their printed music to the next level, instructor Jenny Amaya covers advanced techniques including additional note input methods, chord symbols, and playback capabilities, with the goal of producing a quality lead sheet. Learn instrument definitions in-depth, explore drum mapping and notation, and discover a wealth of time-saving shortcuts. Work along with Jenny to create and transform your music and to prepare your score and parts for printing.

Deep Ocean is an ambient soundset inspired by waiting for Cousteau by Jarre.

Deep Ocean is our third expander that focuses on cinematic sounds for Omnisphere 2, and travels into an underwater world inspired by the ambient masterpiece Waiting for Cousteau by Jean-Michel Jarre: dark pianos drenched in long reverbs, quirky arpeggios and sequences and mellow synths. But the focus on this soundset lies on a large number of atmospheric textures and soundscapes, which span from the dark and menacing to the mysterious and uplifting.

Mastering Made Easy
Ozone Elements features best-in-class processing from Ozone 8 for less. Effortlessly get your mixes radio- and streaming-ready

Effortlessly get your mixes for radio and streaming-ready with Ozone Elements. With best-in-class processing from Ozone 8, this new mastering plug-in enables you to achieve a full, rich, and loud final master with new assistive technologies like Master Assistant and the legendary Ozone Maximizer. Create your own master or choose from hundreds of presets.

Sound Design for Animation (2019) : Discover the principles of creating sound design for animation videos that will contribute to evoking emotions, supporting a plotline and a brand identity.

Get started with Cubase 9.5. In the course, you will master one of the most convenient tools for working with sound design, as well as step by step study the process of creating all the elements of sound effects. We’ll concentrate on the niche side of sound production, which is work with animation videos.

UNDEIGHT is an 8 String rhythm guitar sample library. It contains no loops and is based on a combination of multi-samples and small repetition phrases. There are no key-switches or multiple programs. All sounds can be accessed via velocity!

The Sound System Design Primer is an introduction to the many topics, technologies, and sub-disciplines that make up contemporary sound systems design.

The newly revised third edition of Rick Young’s The Focal Easy Guide to Final Cut Pro X is the ultimate mentor for getting up and running with Apple’s professional editing software, regardless of your skill level. In this step-by-step, full-color guide, Rick clearly explains the key concepts and essential knowledge needed to edit your project from start to finish, providing clear, time-saving instructions on producing and outputting using Final Cut Pro X.

Glass Viper is a synthesizer with unique waveform shaping, that has a deep and natural sense of movement. Going beyond analogue simulation, into a truly organic sound, from simple old synths to grungy filthy basses, or delicate pianos to strange unnatural film effects.

Starting with essential maths, fundamentals of signals and systems, and classical concepts of DSP, this book presents, from an application-oriented perspective, modern concepts and methods of DSP including machine learning for audio acoustics and engineering. Content highlights include but are not limited to room acoustic parameter measurements, filter design, codecs, machine learning for audio pattern recognition and machine audition, spatial audio, array technologies and hearing aids. Some research outcomes are fed into book as worked examples. As a research informed text, the book attempts to present DSP and machine learning from a new and more relevant angle to acousticians and audio engineers.

This week we welcome back Richie aka Dirty Secretz for a new set of tips and tricks in Ableton in Tech Tips Volume 47. Over these 10 videos Richie shares some of the tricks he uses to help keep interest and variation in his tracks, percussive tips to help improve your drums, and simple workflow techniques to speed up the creative process.

Dreizehn Schallplatten presents Samples pack 'Dark Techno by: Marco Ginelli'.

We are pleased to present first Marco Ginelli's samples pack!

The top DJ and Producer from Hungary is frequently releasing his music in the best labels of the scene so far as DSR Digital, Hardwandler Records or Dolma Records.

Creating that dark warehouse feeling to your production? Need that extra Dark vocal to carry the choon through? Then look no further for this brand new dark vocals pack from pukka kutz.

During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.

This volume examines the global influence and impact of DIY cultural practice as this informs the production, performance and consumption of underground music in different parts of the world. The book brings together a series of original studies of DIY musical activities in Europe, North and South America, Asia and Oceania. The chapters combine insights from established academic writers with the work of younger scholars, some of whom are directly engaged in contemporary underground music scenes.