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Immersive Sound The Art and Science of Binaural and Multi-Channel Audio

Immersive Sound The Art and Science of Binaural and Multi-Channel Audio
English | 2018 | ISBN: 1138900001 | 378 Pages | PDF | 9.45 MB
Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio provides a comprehensive guide to multi-channel sound. With contributions from leading recording engineers, researchers, and industry experts, Immersive Sound includes an in-depth description of the physics and psychoacoustics of spatial audio as well as practical applications. Chapters include the history of 3D sound, binaural reproduction over headphones and loudspeakers, stereo, surround sound, height channels, object-based audio, soundfield (ambisonics), wavefield synthesis, and multi-channel mixing techniques. Knowledge of the development, theory, and practice of spatial and multi-channel sound is essential to those advancing the research and applications in the rapidly evolving fields of 3D sound recording, augmented and virtual reality, gaming, film sound, music production, and post-production.
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SamplePlug The Bounce Kit Volume 1 [WAV]

SamplePlug The Bounce Kit Volume 1
P2P | 23 April 2018 | 39 MB
This Premium Sample Pack Includes: 20 Kicks, 20 Snares, 20 Percussion Sounds, 15 Loops, 10 Claps

Many of these sounds have been used in beats/songs like Take It Off, 808Luv, , C'est La Vie, and more!
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Keyboard Recording Home-Studio mai 2018

Keyboard Recording Home-Studio mai 2018
French | 100 pages | True PDF | 29.48 MB
KR Keyboard Recording Home Studio - le magazine de la création musicale ! Suivre l'évolution du matériel et des techniques d'enregistrement, découvrir des conseils et astuces pour progresser vite et bien (quelque soit le niveau, le style de musique ou l'équipement) : cest la promesse de KR!
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ADSR Sounds Creative Multiband Processing in Ableton Live 10 [TUTORiAL]

ADSR Sounds Creative Multiband Processing in Ableton Live 10
SYNTHiC4TE | 23 April 2018 | 172 MB
In this course you will discover the application and creative use of multiband processing using Live 10’s native multiband dynamics device and mid side processing.

Get a solid grasp on these challenging techniques with experienced tutor and musician Alan Gleeson who will step you through everything you need to know to start applying creative ideas right away.
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Ask Video Bitwig Studio 2 202 Phase-4 Deconstructed [TUTORiAL]

Ask Video Bitwig Studio 2 202 Phase-4 Deconstructed
SYNTHiC4TE | 23 April 2018 | 423 MB
Bitwig’s Phase-4 utilizes phase distortion and phase modulation synthesis to shape sound in very unique ways. Learn how to get the most out of this four-oscillator synth in this in-depth course by Bitwig Certified Professional, Thavius Beck

Inspired by classic digital synths like Yamaha’s DX7 and Casio’s CZ series, Phase-4 sound manipulation possibilities go way further. In this course, sound designer and trainer Thavius Beck reveals exactly how this powerhouse synth is capable of everything from vintage sounds to digital sonic madness.
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Spheride Lightscapes [WAV]

Spheride Lightscapes
FANTASTiC | 22 April 2018 | 415 MB
‘Lightscapes’ is the first installation by experienced Italian producer duo Spheride. Filled with dreamy, ethereal soundscapes, reflective guitars and haunting lead loops, it's ready to add mystery and depth to your tracks. Dig into the one shots folder to find a small treasure chest of djembe hits, chords and more traditional drum samples, perfect for groove tweaking.
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Gill Chang Serum Enigma [Synth Presets]

Gill Chang Serum Enigma
FANTASTiC | 22 April 2018 | 4 MB
‘Serum:Enigma’ is the genre bending collection of Xfer Serum presets, expertly crafted by LA based producer Gill Chang. Each sound has been delicately shaped and comes with full flexibility via macro and mod wheel assignments.
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Truefire Frank Vignolas Jazzin the Blues Vol.1 [TUTORiAL]

Truefire Frank Vignolas Jazzin the Blues Vol.1
P2P | 21 April 2018 | 954 MB
Larry Carlton, Robben Ford, Scott Henderson, and Oz Noy are just a few examples of top notch guitarists who are widely respected for jazzing up their blues improvisations with jazz phrasing and tonalities. On the other end of the scale, most students of blues guitar struggle when it comes to jazzing up their blues lines because they haven’t yet been exposed to jazz harmonies and melodic approaches.
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