AudioLove

'Future IDM' by Temporal Geometry is a collection of sounds, loops and multi-sampled instruments oriented to the production of cutting edge, mid-tempo futuristic IDM.

All the elements in this collection have a very synthetic, hard-hitting character, which makes it ideal for Urban Electronic and Future Dance styles, as well as for action-packed Sci-Fi and futuristic Cinematic productions.

The Polo Boy Shawty Mixing Secrets Vol. 2 Presets Are Finally Here!
This Preset Kit Contains Official & Custom Mixer Presets For FL Studio Producers! Each Preset Was Created From Actual Sessions To Guarantee The Best Quality.

Producertech has launched the Beginners Guide to Traktor Pro, a video tutorial course by Rob Jones on the Traktor Pro DJ software by Native Instruments

The original BLADE synthesizer released in 2012 had a unique concept in controlling the waveform harmonics (Harmolator) by using an XY pad. On top of that, the XY pad movement could also be recorded, edited, and played back tempo-based.This concept of BLADE meant that you could generate some very different sounds, compared to regular subtractive and even additive synthesizers. With BLADE-2 we have expanded the features of BLADE even further again making it a dream synthesizer for synth lovers who like to think out of the box and love to experiment!

This course is for every beginning filmmaker - or everybody who wants to start learning Editing with Adobe Premiere Pro 2020

Bust Out of Your Blues Rut with Fresh and Original Harmonic Voicings
Chords are a great inspiration for melodies and solos. By analyzing the chord structures and stacking notes on top of each other in an original way you can create what Andrea Quartarone likes to call "melodic chordal shapes." Modern electric rock, jazz, blues and fusion players like Greg Howe, Scott Henderson, and Bret Garsed use these shapes to create inspiring melodies and solos.

104 custom MIDI’s created by trav of Internet Money.

Seine Zoo Records produit pour la première fois en France une banque de sons extraits des albums à succès du célèbre label parisien.

Dans cette banque de sons, vous trouverez une multitude d'éléments qui ont servi à la confection des albums tels que Seine Zoo, Destins Liés, Feu ou Cyborg

Seine Zoo Records produit pour la première fois en France une banque de sons extraits des albums à succès du célèbre label parisien.

Dans cette banque de sons, vous trouverez une multitude d'éléments qui ont servi à la confection des albums tels que Seine Zoo, Destins Liés, Feu ou Cyborg

Lush synths, lo-fi beats, and ambient melodics make up Indie Downtempo: a collection of loops and one-shots primed for electronic music producers with eclectic tastes.

Jagged melodics, digital beats, aggressive fx, and more - UK Grime 2 takes pirate radio era sensibilities and blends them with underground sonic aesthetics representative of the UK take on the genre. Get to grips with offshoot one-shots, dizzy percussion, and hybrid melodics.

Plucks - short and sharp attacks made with a synth - are a crucial element in modern trap music, as are bells and mallets. These sounds produce the dark, moody, sometimes ominous tone we expect from trap. This pack was specifically inspired by artists like Drake, Future, Meek Mill, Murda Beats, Tae Kieth, and Metro Boomin. Produced by Simba, it features not only synth plucks, but also piano, keys, bells, mallets, kalimbas, and more. You'll find 80 various loops plus 16 song-starters to spark inspiration or get your next track off the ground.

Our second ever Nexus Bank is now here, Purple Children.

This bank is inspired by the sounds of Metro Boomin, Southside, Lex Luger, Murda Beatz, & Many More!

3Q Samples Presents Rominimal Deep Tech. Inspired by artists such as Cristi Cons, Priku, Arapu, Andrea Pushkarev, Petre insprerocu & More!
This compact library contains the sounds you will hear at Sunwaves & the hottest DJs & Producers in the Romanian Minimal scene.

Design an enclosure to match your preferences
The main purpose of this course is to teach you how to properly design an enclosure for your speaker. There is no such thing as "This enclosure is the best choice for this particular speaker". You have to take into consideration your application and your personal preferences. Do you want it to sound loud? Do you want it to sound deep and don't care about loudness? You want it to be as smooth and linear as possible? These are all just a few examples of questions that needs answering before you get to work. The final result will always be a compromise between the acoustical qualities of an enclosure. Only you can decide which sound qualities are more important to you and you should be the one who "moves the sliders".