AudioLove

Downtempo Samplepack from Audentity Records is all about Ambient Loops and Rhythms. If your track needs a shimmering, floating, trancy, atmospheric or mysterious touch, be sure to check this pack out. You can use it for different kinds of genres, from lofi, ambient, trance and cinematic to trip hop, hip hop, or trap. Downtempo Samplepack includes tempo synced music, piano, pad, and bassloops, as well as evolved drumloops, drum one shots, fx, and foleyloops.

Learn the fundamentals of music production to make modern trap beats. Do you listen to modern trap songs by artists like Juice WRLD, Gunna, and Internet Money?

This is the second pack of techno minimal included bass loops, drum loops, percussions, full loops and kick loops. This package will help you get your groove moving in a matter of minutes. This is a perfect addition to your dark samples collection with intricate and powerful loops.

This Kit contains (DELUXE VERSION HAS 1 .FLP & 90+ MORE SOUNDS):

Sounds can be used for many Styles like: Bass Trap, Bounce Trap, Trap/Rap Beats, Flex Beats, EDM, House, Drums and Bass & much more.

We are proud to present our latest sounds.com exclusive pack: Ultrasonic Ambiences. Add the final touch to your next production with these helpful noise samples to boost clarity and perceived level. Expect to find 25 high quality noise samples ranging from 2 to 18 kHz. Have fun! 25 x WAV 44.1 kHz, 24 bit

In 1987, Jim Marshall celebrated 25 years as a guitar amp manufacturer with the very limited release of the Silver Jubilee series of amps. The Silver Jubilee 2555 amp became a big hit among high-profile rock guitarists and quickly became a rare collectors piece.

There is perhaps no other amplifier more vital to the history of rock & roll than the Marshall Plexi Super Lead 1959. We took Marshall's own museum-piece Plexi (a pristine model from 1967) under extremely careful security and supervision, and modeled each and every component to produce the most textured, detailed software version imaginable. At any setting it responds exactly like the hardware, and it's sensitive to your playing style like you wouldn't believe.

When Eric Clapton used the Marshall Model 1962 on the John Mayall & The Blues Breakers self-titled album in 1966, the performance in combination with this amp was such a distinctive contribution to music history that the amp came to be known as the “Bluesbreaker”. The Bluesbreaker's amp section is warm and crunchy, and the use of alnico speakers in an open back cabinet adds an unusually chimey and three-dimensional sound for a Marshall, which has contributed to its status as a genuine workhorse far outside of the blues genre too.

The Marshall JMP 2203 was introduced in 1975. It quickly replaced the Plexi as the go-to Marshall amp and became the amp against which all other rock amps were compared. Artists who used it included Jeff Beck, Andy Summers, Tom Morello, AC/DC, Mötley Crüe, Judas Priest, Slayer, the Pixies, and more.

All-access pass to the Marshall sound. Marshall Cabinet Collection is a collection of 8 classic, rare, and handwired speaker cabinets by Marshall exclusively available for Amp Room, the pro audio guitar and bass platform.

Bass Amp Room was designed to handle all your bass amp needs, from dirty rock to modern clean, keeping two equally important goals in mind. The first was to give the user the best possible sound quality. The latter was to create an intuitive plug-in which allows for a really fast work flow. Time is money, but cutting down on time shouldn't mean you have to accept poor results.

Straightforward and simple, Vintage Amp Room emulates three carefully selected guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning.

Metal Amp Room was designed to bring you the most brutal, evil and aggressive sound that is possible to squeeze out of your DAW. It was co-developed with Patrik Jensen (The Haunted) and tailored to his needs. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics with adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. The cabinets were measured in the In Flames studio (previously known as Studio Fredman) by Tue Madsen and Patrik Jensen.

Thrash metal is visceral, energetic, aggressive. Getting the right depth and texture of sound, the right bite in the attack, the right snarl on the tail, is essential. You need an amp like a wild animal, like a fighter, like a beast.

There are a handful of classic names in bass guitar amplification, but few have the combination of pedigree and sheer modern versatility that comes with the Eden WT-800.