AudioLove

Kizuna Akari (紲星あかり) is a Japanese VOCALOID developed by Vocalomakets and distributed by AH-Software Co. Ltd.. She was released for the VOCALOID4 engine in April 2018

Note: This is japanese language vocaloid

The undulating dance of an ocean and the rigid, textured, slab of concrete may seem like opposites. But somehow Japanese producer Lemna evokes both of these aspects in this Sound Pack. The pack consists of 222 samples ranging from playful toy pianos and chopsticks used as a percussion instrument, via ominous basses and stabs, to atmospheric drones evoking a sense of Neuromanceresque dread.

30 TOTAL SOUNDS
(ALL SOUNDS WERE USED TO CREATE BLKTINTS EP)

Songwriting can be a thrilling and rewarding profession, but it's not without its challenges. In this course, join professional songwriter Cliff Goldmacher as he explores the craft—and business—of songwriting through a series of short, self-contained lessons that offer practical solutions to common problems. Cliff shares creative workarounds for songwriting issues, explaining what to do when you're stuck finding the perfect line or you can't tell if a song is finished. He also goes over problems—and offers solutions—for songwriters that are working in the recording studio or trying to pursue a career in music.

Big Clipper is what you get when you take a clipper and inject it with growth hormones, and then add a little extra MSG on top.

‘Digital Ambience’ is the futuristic brainchild of Russian producer Pixelord. Known for his multi-faceted, fearless approach, Pixelord holds nothing back with this diverse collection of twinkling arps, expansive pads, martian foley, atmospheric synths and alien FX.

Great for creating deep and rich ambient soundscapes from scratch, or for enhancing your current productions, this pack is particularly well suited to vaporwave and dark ambient, as well as most other ambient electronic genres.

Introducing Digital Performer 9. Artistry and engineering in elegant counterpoint. Exciting new plug-in processors, a powerful synth and many workflow enhancements headline this major new upgrade. Spark your creativity, then refine your mix - all in a singular workflow.

the basis for all my productions from mid to late 2017

If there's one thing you need when manufacturing instruments it's patience. MAGIX Vita Solo Instruments are no different. Every sound is carefully modeled and recorded using various microphone settings. This lets you authentically reproduce the unmistakable sounds of gently plucked nylon guitar strings, epic string instruments or harsh, powerful synthesizers and then adapt them.

This compressor plug-in was created in cooperation with Ploytec.

700 W is a completely new approach to compression.
Unlike a conventional compressor it only acts where you need it.
It's main field of application is to enhance your endmix. Gain up to 1.9 dB of loudness you can't get from any other tool.

More instruments. More sounds. More effects. An incredible suite of 16 instruments including the DN-e1 analogue synth and Vita Sampler. 13 stunning effects: from the Analogue Modelling Suite to Vandal guitar effects, plus an amazing 9 GB of new ACIDized content.

Create wonderful, lush textures and atmospheres - simply play one of the 6 included Rack devices, turn up the send and freeze it. Build up more layers by adding more signal, then turn down the send and play over it. Additional sound sculpting parameters including Tonal Tilt, mapped to the 8 Macro controls.

This add on includes Cakewalk’s popular Studio instruments including Electric Piano, SI-Bass Guitar, SI-Drum Kit and SI-String Section. This add-on also includes 4 Cakewalk demo projects. If you already have this installed from a previous SONAR product you won’t need to install this.

The Cakewalk Theme Editor is back in this release allowing you to create, edit and fully customize themes for Cakewalk. This is new version is exclusively for use with Cakewalk by BandLab and won't replace the older SONAR Theme Editor.

There are more guitar players today with incredible technical chops then ever before. Yet, so many of their solos and improvisations sound a bit dry and lifeless. This is often because they’re too focused on developing technical skills and strictly following harmonic rules and rhythmic approaches rather than letting their ears and emotions guide their note choices and phrasing.